Artemisia : [exhibition, The National gallery, London, 4 April - 26 July 2020]
Artemisia Gentileschi (1593-1654 or later) is the most celebrated woman artist of the baroque period in Italy. Her career spanned more than 40 years, as she moved between Rome, where she was raised and trained by her father, Orazio Gentileschi, to Florence, where she gained artistic independence and...
Enregistré dans:
| Auteurs principaux: | , , , , , , |
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| Format: | Livre papier |
| Sprog: | Anglais |
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London :
National Gallery Company
C 2020.
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Contient un texte traduit de l'italien Autres contributeurs : Larry Keith, Francesco Solinas et Francesca Whitlum-Cooper |
| Autres localisations: | Voir dans le Sudoc |
| Variante du titre: | Exposition., Londres, National Gallery, 2020 |
| LEADER | 02625nam a22003377a 4500 | ||
|---|---|---|---|
| 001 | 829601 | ||
| 008 | 200824t20202020xxe ||| |||| 00| 0 eng d | ||
| 009 | PPN248591231 | ||
| 020 | |a 9781857096569 (rel.) | ||
| 024 | |a 9781857096569 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Treves, Letizia. | |
| 240 | 1 | 0 | |a Exposition. |l Londres |g National Gallery |f 2020 |
| 245 | 1 | 0 | |a Artemisia : |b [exhibition, The National gallery, London, 4 April - 26 July 2020] |c Letizia Treves ; with contributions by Sheila Barker, Patrizia Cavazzini, Elizabeth Cropper... [et al.] ; translation from Italian (Francesco Solinas) by Lucinda Byatt. |
| 260 | |a London : |b National Gallery Company. | ||
| 260 | |c C 2020. | ||
| 300 | |a 1 vol. (256 p.) : |b ill. en noir et en coul., jaquette ill. en coul. ; |c 31 cm. | ||
| 500 | |a Contient un texte traduit de l'italien | ||
| 500 | |a Autres contributeurs : Larry Keith, Francesco Solinas et Francesca Whitlum-Cooper | ||
| 504 | |a Bibliogr. p. 237-243. Notes bibliogr. Chronologie. Index | ||
| 520 | |a Artemisia Gentileschi (1593-1654 or later) is the most celebrated woman artist of the baroque period in Italy. Her career spanned more than 40 years, as she moved between Rome, where she was raised and trained by her father, Orazio Gentileschi, to Florence, where she gained artistic independence and became the first female member of the city's academy of artists, and to Venice, London, and Naples. Often featuring heroic female subjects, her paintings were predominantly intended for private clients. Today they are recognized for their dramatic power and originality, showing Artemisia to be one of the most compelling storytellers of her time. This beautiful book includes essays on her life and career; a discussion of her personal and artistic relationship with her father; a summary of critical writings and an overview of the wide range of approaches to Artemisia's work since her rediscovery by feminist art historians more than 50 years ago; a more personal insight into Artemisia through her letters; a discussion of the artist's self-representation in her work; and an essay dedicated to her painting technique. | ||
| 600 | |a Gentileschi, Artemisia, |d 1593-1654 | ||
| 650 | |a Catalogues d'exposition | ||
| 700 | 1 | |a Barker, Sheila C., |d 1970- |4 aut | |
| 700 | 1 | |a Cavazzini, Patrizia. |4 aut | |
| 700 | 1 | |a Cropper, Elizabeth, |d 1944- |4 aut | |
| 700 | 1 | |a Keith, Larry. |4 aut | |
| 700 | 1 | |a Solinas, Francesco, |d 1958- |4 aut | |
| 700 | 1 | |a Whitlum-Cooper, Francesca, |d 19..- |4 aut | |
| 700 | 1 | |a Byatt, Lucinda. |4 trl | |
| 997 | |0 829601 |1 Livre papier |a Ressource papier |b ENSA |c 0/Bourges/ |c 1/Bourges/ENSA/ |z Bourges, ENSA, MO GENT | ||