Slaves, Masters, and the Art of Authority in Plautine Comedy

Main description: What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina...

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Hlavní autor: McCarthy, Kathleen D., 19..-
Médium: Livre numérique
Jazyk:Anglais
Vydáno: Princeton ; N.J : Princeton University Press 2004.
Témata:
On-line přístup:Accès Université Orléans et IFPM
Poznámka: La pagination de l'édition imprimée correspondante est de : 248 p.
Cyberlibris (ScholarVox) Corpus Lettres
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Slaves, Masters, and the Art of Authority in Plautine Comedy, Texte imprimé, 9781400824700
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100 1 |a McCarthy, Kathleen D.,  |d 19..- 
245 1 0 |a Slaves, Masters, and the Art of Authority in Plautine Comedy   |c Kathleen McCarthy. 
256 |a Données textuelles 
260 |a Princeton ;  |a N.J :  |b Princeton University Press,  |c 2004. 
500 |a La pagination de l'édition imprimée correspondante est de : 248 p. 
500 |a Cyberlibris (ScholarVox) Corpus Lettres 
506 |a L'accès complet à la ressource est réservé aux usagers des établissements qui en ont fait l'acquisition 
520 |a Main description: What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. Basing her interpretation on the workings of farce and naturalism in Plautine comedy, McCarthy finds a way to understand the plays' patchwork literary style as well as their protean social effects. Beyond this, she raises important questions about popular literature and performance not only on ancient Roman stages but in cultures far from Plautus' Rome. How and why do people identify with the fictional figures of social subordinates? How do stock characters, happy endings, and other conventions operate? How does comedy simultaneously upset and uphold social hierarchies? Scholars interested in Plautine theater will be rewarded by the detailed analyses of the plays, while those more broadly interested in social and cultural history will find much that is useful in McCarthy's new way of grasping the elusive ideological effects of comedy 
538 |a Nécessite un navigateur et un lecteur de fichier PDF 
650 |a LITERARY CRITICISM  |x Ancient & Classical 
650 |a Esclavage  |x Dans la littérature 
650 |a Littérature et société  |z Rome 
650 |a Autorité  |x Dans la littérature 
650 |a Comédie latine  |x Thèmes, motifs 
776 0 |t Slaves, Masters, and the Art of Authority in Plautine Comedy  |b Texte imprimé  |z 9781400824700 
856 4 |5 452349901:672007789  |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88838011  |z Accès Université Orléans et IFPM 
997 |0 825007  |1 Livre numérique  |a Ressource numérique  |b INSA  |b ENSA  |c 0/Bibliothèque numérique/  |c 1/Bibliothèque numérique/ScholarVox (ebooks)/