Gaze, Vision, and Visuality in Ancient Greek Literature

Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between seeing...

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Détails bibliographiques
Autres auteurs: Kampakoglou, Alexandros, 1983- (Éditeur intellectuel), Novokhatko, Anna A., 1978- (Éditeur intellectuel)
Format: Livre numérique
Langue:Anglais
Publié: Berlin ; Boston : De Gruyter 2018.
Berlin ; Boston :
Collection:Trends in Classics - Supplementary Volumes volume 54
Accès en ligne:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Note: De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Gaze, vision, and visuality in ancient Greek literature, edited by Alexandros Kampakoglou and Anna Novokhatko, 2018, Berlin, De Gruyter, 1 vol. (xxvi-509 p.), Trends in classics, 978-3-11-056899-8
• Gaze, Vision, and Visuality in Ancient Greek Literature, Texte imprimé, 978-3-11-056906-3
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520 |a Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between seeing and knowing in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts gaze , vision and visuality are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to follow the gaze of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses 
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