Paths of Song : The Lyric Dimension of Greek Tragedy

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection...

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Bibliographic Details
Other Authors: Andújar, Rosa, 19..- (Editor), Coward, Thomas Robert Philip, 19..- (Editor), Hadjimichael, Theodora A., 19..- (Editor)
Format: Livre numérique
Language:Anglais
Published: Berlin ; Boston : De Gruyter 2018.
Berlin ; Boston :
Series:Trends in Classics - Supplementary Volumes volume 58
Online Access:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Note: De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Paths of song, the lyric dimension of Greek tragedy, edited by Rosa Andújar, Thomas R. P. Coward and Theodora A. Hadjimichael, 2018, Berlin, De Gruyter, 1 vol. (X-456 p.), Trends in classics, 3-11-057331-8
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520 |a Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity 
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