Roman drama and its contexts

Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their context , though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to addre...

Disgrifiad llawn

Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Awduron Eraill: Frangoulidis, Stavros A., 19..- (Golygydd), Harrison, Stephen John, 1960-...., latiniste (Golygydd), Manuwald, Gesine, 1974- (Golygydd)
Fformat: Livre numérique
Iaith:Anglais
Cyhoeddwyd: Berlin ; Boston : De Gruyter 2016.
Berlin ; Boston :
Cyfres:Trends in Classics - Supplementary Volumes volume 34
Pynciau:
Mynediad Ar-lein:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Nodyn: Notice rédigée d'après la consultation du 2017-10-03
Version électronique de l'édition de Berlin : De Gruyter, 2016
De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Roman drama and its contexts, edited by Stavros Frangoulidis, Stephen J. Harrison and Gesine Manuwald, 2016, Berlin, De Gruyter, 1 vol. (XII-625 p.), Trends in classics, 978-3-11-045557-1
Tabl Cynhwysion:
  • 1.Some Dramatic Terminology / Richard Hunter
  • 2. Bacchus in Roman Drama / Alessandro Schiesaro
  • 3. Speculating in Unreal Estate: Locution, Locution, Locution / Niall W. Slater
  • 4. The Kings of Comedy / Amy Richlin
  • 5. Genre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation / Alison Sharrock
  • 6. Sententiousness in Roman Comedy A Moralising Reading / Martin T. Dinter
  • 7.Plautus' Aulularia and Popular Narrative Tradition / Ioannis M. Konstantakos
  • 8. Plautus Undoing Himself What is Funny and What is Plautine in Stichus and Trinummus? / Sophia Papaioannou
  • 9. Prologues between Performance and Fiction / Kathleen McCarthy
  • 10. All's Well that Ends Well? Old Fools, Morality, and Epilogues in Plautus / David Christenson
  • 11. Plautus' Curculio and the Case of the Pious Pimp / T. H. M. Gellar-Goad
  • 12. The Young Man in Plautus' Asinaria 127-248 / C. W. Marshall
  • 13. Civic Reassignment of Space in the Truculentus / Robert Germany
  • 14. Nothing to do with Fides?: The Speaker of the Prologue and e Reproduction of Citizenship in Plautus' Casina / Catherine Connors
  • 15. Symmetrical Recognitions in Plautus' Epidicus / Katerina Philippides
  • 16. Basket Case: Material Girl and Animate Object in Plautus's Cistellaria / Mario Telò
  • 17. Elements of Pantomime in Plautus' Comedies / Bernhard Zimmermann
  • 18. History and Philosophy in Roman Republican Drama / Gesine Manuwald
  • 19. Music in Roman Tragedy / Timothy J. Moore
  • 20. Seneca, Horace and the Poetics of Transgression / Cedric Littlewood
  • 21. Tragic Translatio: Epistle 107 and Senecan Tragedy / Christopher Trinacty
  • 22. Seneca's Agamemnon: Mycenaean Becoming Trojan / Stavros Frangoulidis
  • 23. When Reason Surrenders its Authority: Thyestes' Approach to Atreus' Palace and Beyond / David Konstan
  • 24. istory as Intertext and Intertext as History n the Octavia / Lauren Donovan Ginsberg
  • 25. Terence and Satire / Ruth R. Caston
  • 26. How to Do Things with Words and Pictures: Text and Image in the Parisian Terence / Dorota Dutsch
  • 27. Is the Story of Susanna and the Elders Based on a Greek New Comedy? The Evidence of Plautus' Casina and Burmeister's Susanna / Michael Fontaine
  • 28. Terence's Comedies in the Terentius Christianus : The Case of Naaman / Antony Augoustakis
  • 29. Petronian Spectacles: The Widow of Ephesus Generically Revised / Evangelos Karakasis
  • 30. Furor and Kin(g)ship in Seneca's Thyestes and Valerius Flaccus' Argonautica (1.700-850) / Theodoros Antoniadis
  • 31. Noises Off: The Thyestes Theme in Tacitus' Dialogus / Emily Gowers
  • 32. Seneca's Ted Hughes / Roland Mayer
  • 33. Seneca's Thyestes: Three Female Translators into English / Stephen Harrison
  • Part I : Roman Comedy
  • Part II : Roman Tragedy
  • Part III : Reception of Comedy and Tragedy