The ideology of classicism : language, history, and identity in Dionysius of Halicarnassus
This is the first systematic study of Greek classicism, a crucial element of Graeco-Roman culture under Augustus, from the perspective of cultural identity: what vision of the world and their own role in it motivated Greek and Roman intellectuals to commit themselves to reliving the classical Greek...
में बचाया:
| मुख्य लेखक: | |
|---|---|
| स्वरूप: | Thèse numérique |
| भाषा: | Anglais |
| प्रकाशित: |
Berlin :
De Gruyter
2011.
Berlin ; Boston : |
| श्रृंखला: | Untersuchungen zur antiken Literatur und Geschichte
volume 105 |
| विषय: | |
| ऑनलाइन पहुंच: | Accès sur la plateforme de l'éditeur Accès sur la plateforme ISTEX Accès Université d'Orléans |
| टिप्पणी: |
De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • The ideology of classicism, language, history and identity in Dionysius of Halicarnassus, by Nicolas Wiater, Berlin, De Gruyter, 2011, 1 vol. (XI-395 p.)d24 cm, Untersuchungen zur antiken Literatur und Geschichte, 978-3-11-025658-1 |
विषय - सूची:
- Preface
- 1. Introduction: The Aims and Methods of This Study
- 1.1 'Webs of Significance' - A Novel Approach to Dionysius' Classicism
- 1.1.1 Dionysius' Classicism as a Cultural Phenomenon
- 1.1.2 Dionysius - an 'Augustan' Author ?
- 1.1.3 A Cultural Identity Approach to Dionysius' Classicism
- 1.2 The Conceptual Framework of Dionysius' Classicism
- 1.2.1 Criticism as a Struggle for Authority
- 1.2.2 Dionysius' Critical Method as Heir to the Tradition of Classical Rhetoric
- 1.2.3 The Power of the Text: Creating a Discursive Tradition
- 1.2.4 Criticism as Constituent of Communities of Intellectuals
- 1.3 Conclusions
- 2. Reviving the Past: Language and Identity in Dionysius' Classicism
- 2.1 Introduction: Language and Time in Dionysius' Classicism
- 2.2 źź, ź, and Continuity
- 2.2.1 źźg : Learning Classical Identity from Isocrates
- 2.2.2 Classicist Self-Fashioning: Re-enacting the Past through źb2.3 Language and Power: Getting the Romans into the Picture
- 2.3.1 Greeks, Romans, Barbarians: Dionysius' Interpretation of Augustan Rome
- 2.3.2 Dionysius' Interpretation of the Roman Present in Context
- 2.3.3 Greek or Roman? The Ambiguity of Dionysius' View of Augustan Rome
- 2.3.4 Coda: How Historical is Dionysius' Model of History?
- 2.4 Summary
- 3. History and Criticism: The Construction of a Classicist Past
- 3.1 'Metahistory' avant la lettre: Dionysius on Historical Writing
- 3.2 Deconstructing Thucydides
- 3.2.1 Identifying with the Past: Why Herodotus Succeeded where Thucydides Failed
- 3.2.2 Classicist History: Theopompus' 'Isocratean' Approach to the Past
- 3.2.3 Between History and Criticism: Re-writing the Melian Dialogue
- 3.3 A Greek Past for the Roman Present: The Project of Dionysius' Antiquitates
- 3.3.1 Ì źÌ Ìa : The Archaeology of Roman Power
- 3.3.2 Identity and Difference: Be Roman, Go Greek ?
- 3.4 Summary
- 4. Knowledge and Elitism: Being a Classicist Critic
- 4.1 Ì ág źź: Reading and Distinction in Dionysius' Classicism
- 4.2 'Authentic Reading': Becoming a Classicist Critic
- 4.2.1 The Failures of Scholarship Past: Redressing the Balance between Theory and Practice
- 4.2.2 Misreading Tradition: Deconstructing Chrysippus
- 4.2.3 Refuting the Idea of a 'Natural Word Order'
- 4.2.4 On Literary Composition : A Normative Aesthetics of Classical Style
- 4.2.5 Dionysius' Writings: A Classical Course of Education
- 4.3 The Mysteries of Education: Being an Elite Critic
- 4.3.1 Knowledge and Elitism
- 4.3.2 The Mysteries of Knowledge
- 4.3.3 Classical Politicians and Classicist Readers: Knowledge and Leadership
- 4.4 Summary
- 5. Enacting Distinction: The Interactive Structure of Dionysius' Writings
- 5.1 Criticism as Dialogic Interaction: Creating an 'Imagined Community' of Classicists
- 5.2 Strategies of Distinction: Out-Group Reading
- 5.2.1 'Objective Critic' vs 'Subjective Critic': The Peripatetic on Trial
- 5.2.2 The Aesthetics of Criticism: Dionysius vs the Platonists