Archaic and classical choral song : performance, politics and dissemination

This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. It explores how choruses presented themselves; individuals? and commu...

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Detalhes bibliográficos
Outros Autores: Athanassaki, Lucia, 1957- (Diretor de publicação), Bowie, Ewen, 1940- (Diretor de publicação)
Formato: Livre numérique
Idioma:Anglais
Publicado em: Berlin ; Boston : De Gruyter 2011.
Berlin ; Boston :
coleção:Trends in Classics - Supplementary volumes volume 10
Assuntos:
Acesso em linha:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Nota: De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Archaic and classical choral song, performance, politics and dissemination, edited by Lucia Athanassaki and Ewen Bowie, Berlin, De Gruyter, 2011, 1 vol. (VIII-562 p.), Trends in classics, 978-3-11-025401-3
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245 0 0 |a Archaic and classical choral song :  |b performance, politics and dissemination   |c edited by Lucia Athanassaki, Ewen Bowie. 
256 |a Données textuelles 
260 |a Berlin ;  |a Boston :  |b De Gruyter. 
260 |a Berlin ;  |a Boston :  |b De Gruyter,  |c 2011. 
490 1 |a Trends in Classics - Supplementary volumes  |v volume 10  |x 2365-1652 
500 |a De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale) 
504 |a Bibliogr. [461]-497. Notes bibliogr.. Index 
505 0 |a Foreword -- Introduction -- Reflections of choral song in early hexameter poetry -- Alcman's first Partheneion and the song the Sirens sang -- Cyberchorus: Pindar's ´and the aura of the artificial -- Enunciative fiction and poetic performance. Choral voices in Bacchylides' epinicians -- Eros and praise in early Greek lyric -- The parrhesia of young female choruses in Ancient Greece -- A second look at the poetics of re-enactment in Ode 13 of Bacchylides -- The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives -- Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo -- Epinician choregia: funding a Pindaric chorus -- Pindar and the Aeginetan patrai: Pindar's intersecting audiences -- Olympians 1-3: A song cycle? -- The dissemination of Pindar's non-epinician choral lyric -- Choral self-awareness: on the introductory anapaests of Aeschylus' Supplices -- Epinician and tragic Worlds: the case of Sophocles' Trachiniae -- Alcman at the end of Aristophanes' Lysistrata: ritual interchorality -- Alcman: from Laconia to Alexandria -- Bibliography -- List of Contributors -- Index 
506 |a Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/degruyter-ebooks-antiquite-cctp-ln-2020/ 
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520 |a This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. It explores how choruses presented themselves; individuals? and communities?roles in funding performances and securing the circulation of texts; how performances continued inside and outside family and city, whether chorally or in symposia; and how such performances contributed to transmission of the poems texts until they were collected by Hellenistic scholars : Lucia Athanassaki (University of Crete, Greece) and Ewen Bowie (Corpus Christi College, Oxford, UK) 
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650 |a Métrique et rythmique grecques 
650 |a Poésie grecque 
650 |a Actes de congrès 
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700 1 |a Bowie, Ewen,  |d 1940-  |4 pbd 
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