On Coming After : Studies in Post-Classical Greek Literature and its Reception

This book gathers together many of the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter s work lies the high poetry of Ptolemaic Alexandria (Callimachus,...

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Dettagli Bibliografici
Autore principale: Hunter, Richard Lawrence, 1953-
Natura: Livre numérique
Lingua:Anglais
Pubblicazione: Berlin ; Boston : De Gruyter 2009.
Berlin ; Boston :
Serie:Trends in Classics - Supplementary Volumes volume 3
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Accesso online:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Nota: De Gruyter e-books Corpus Sciences de l'Antiquité (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• On coming after, studies in post-classical Greek literature and its reception, by Richard Hunter, Berlin, W. de Gruyter, 2008, 2 vol. (VIII-VII-908 p.), Trends in classics, 3-11-020441-X
Sommario:
  • Part 1, Hellenistic poetry and its reception Part 2, Comedy and performance ; Greek poetry of the Roman Empire ; The ancient novel
  • Frontmatter; Contents; Preface; Introduction; On Coming After; 1. Apollo and the Argonauts:Two notes on Ap. Rhod. 2, 669 -719; 2. Medea's flight: the fourth Book of the Argonautica; 3. 'Short on heroics': Jason in the Argonautica; 4. Winged Callimachus; 5. Bulls and Boxers in Apollonius and Vergil; 6. Greek and Non-Greek in the Argonautica of Apollonius; 7. Callimachus and Heraclitus; 8. Writing the God: Form and Meaning in Callimachus, Hymn to Athena; 9. Written in the Stars: Poetry and Philosophy in the Phainomena of Aratus; 10. The Presentation of Herodas' Mimiamboi
  • 11. Callimachean Echoes in Catullus 6512. Plautus and Herodas; 13. Bion and Theocritus: a note on Lament for Adonisv. 55; 14. Mime and mimesis: Theocritus, Idyll 15; 15. The Divine and Human Map of the Argonautica; 16. Callimachus swings (frr. 178 and 43 Pf.); 17. Before and after epic: Theocritus (?), Idyll 25; 18. (B)ionic man: Callimachus' iambic programme; 19. The Poet Unleaved. Simonides and Callimachus; 20. The Poetics of Narrative in the Argonautica; 21. Virgil and Theocritus: A Note on the Reception of the Encomium to Ptolemy Philadelphus
  • 22. The Sense of an Author: Theocritus and [Theocritus]23. Imaginary Gods? Poetic theology in the Hymns of Callimachus; 24. Theocritus and the Style of Cultural Change; 25. Notes on the Lithika of Poseidippos; 26. The Hesiodic Catalogue and Hellenistic Poetry; 27. The prologue of the Periodos to Nicomedes ('Pseudo-Scymnus'); 28. Sweet nothings - Callimachus fr. 1.9 -12 revisited; 29. The Reputation of Callimachus; 30. Hesiod, Callimachus, and the invention of morality; Frontmatter; Contents; 31. The Comic Chorus in the fourth century; 32. Philemon, Plautus and the Trinummus
  • 33. The Aulularia of Plautus and its Greek original34. Middle Comedy and the Amphitruo of Plautus; 35. 'Acting down': the ideology of Hellenistic performance; 36. Showing and telling: notes from the boundary; 37. Generic consciousness in the Orphic Argonautica?; 38. Aspects of technique and style in the Periegesis of Dionysius; 39. The Periegesis of Dionysius and the traditions of Hellenistic poetry; 40. History and Historicity in the Romance of Chariton; 41. Longus and Plato; 42. Growing up in the ancient novels: a response; 43. The Aithiopika of Heliodorus: beyond interpretation?
  • 44. 'Philip the Philosopher' on the Aithiopika of Heliodorus45. Plato's Symposium and the traditions of ancient fiction; 46. Isis and the Language of Aesop; 47. The curious incident : polypragmosyne and the ancient novel; Backmatter
  • Hellenistic poetry and its reception
  • Comedy and performance
  • Greek poetry of the Roman Empire
  • The ancient novel