Can integrated titles improve the viewing experience? : investigating the impact of subtitling on the reception and enjoyment of film using eye tracking and questionnaire data

Historically a dubbing country, Germany is not well-known for subtitled productions. But while dubbing is predominant in Germany, more and more German viewers prefer original and subtitled versions of their favourite shows and films. Conventional subtitling, however, can be seen as a strong intrusio...

Täydet tiedot

Tallennettuna:
Bibliografiset tiedot
Päätekijä: Fox, Wendy
Aineistotyyppi: Livre numérique
Kieli:Anglais
Julkaistu: Berlin : Language Science Press C 2018.
Sarja:Translation and multilingual natural language processing 9
Aiheet:
Linkit:http://langsci-press.org/catalog/book/187
Accès libre
Huomautus: Description d'après la consultation, 2018-11-23
Titre provenant de l'écran-titre
La pagination de l'édition imprimée correspondante : 236 pages
Language Science Press (hors Licence nationale)
Autres localisations: Voir dans le Sudoc
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041 0 |a eng 
100 1 |a Fox, Wendy. 
245 1 0 |a Can integrated titles improve the viewing experience? :  |b investigating the impact of subtitling on the reception and enjoyment of film using eye tracking and questionnaire data   |c Wendy Fox. 
256 |a Données textuelles 
260 |a Berlin :  |b Language Science Press. 
260 |c C 2018. 
490 0 |a Translation and multilingual natural language processing  |v 9 
500 |a Description d'après la consultation, 2018-11-23 
500 |a Titre provenant de l'écran-titre 
500 |a La pagination de l'édition imprimée correspondante : 236 pages 
500 |a Language Science Press (hors Licence nationale) 
504 |a Bibliographie p. [213]- 228. Index 
506 |a Ressource intégralement en libre accès 
520 |a Historically a dubbing country, Germany is not well-known for subtitled productions. But while dubbing is predominant in Germany, more and more German viewers prefer original and subtitled versions of their favourite shows and films. Conventional subtitling, however, can be seen as a strong intrusion into the original image that can not only disrupt but also destroy the director's intended shot composition and focus points. Long eye movements between focus points and subtitles decrease the viewer's information intake, and especially German audiences, who are often not used to subtitles, seem to prefer to wait for the next subtitle instead of looking back up again. Furthermore, not only the placement, but also the overall design of conventional subtitles can disturb the image composition - for instance titles with a weak contrast, inappropriate typeface or irritating colour system. So should it not, despite the translation process, be possible to preserve both image and sound as far as possible? Especially given today's numerous artistic and technical possibilities and the huge amount of work that goes into the visual aspects of a film, taking into account not only special effects, but also typefaces, opening credits and text-image compositions. A further development of existing subtitling guidelines would not only express respect towards the original film version but also the translator's work 
538 |a Navigateur Web 
650 |a Sous-titrage 
650 |a Linguistique 
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997 |0 689418  |1 Livre numérique  |a Ressource numérique  |b INSA  |b ENSA  |c 0/Bibliothèque numérique/  |c 1/Bibliothèque numérique/Autre ressource numérique/