Moving scenes : the circulation of music and theatre in Europe, 1700-1815

La 4e de couverture indique : "In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators and the works they produced state borders were less im...

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Detalles Bibliográficos
Outros autores: Beaurepaire, Pierre-Yves, 1968- (Éditeur intellectuel), Bourdin, Philippe, 1961-...., historien (Éditeur intellectuel), Wolff, Charlotta, 1976- (Éditeur intellectuel)
Formato: Livre papier
Idioma:Anglais
Publicado: Oxford : Voltaire Foundation C 2018.
Series:Oxford University studies in the Enlightenment 2018/02
Sujets:
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Moving scenes, the circulation of music and theatre in Europe, 1700-1815, edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff, 2018, Oxford, Voltaire Foundation, Oxford University studies in the Enlightenment, 978-1-800-85888-6
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245 0 0 |a Moving scenes :  |b the circulation of music and theatre in Europe, 1700-1815   |c Pierre-Yves Beaurepaire, Philippe Bourdin & Charlotta Wolff. 
260 |a Oxford :  |b Voltaire Foundation. 
260 |c C 2018. 
300 |a 1 vol. (XI-391 p.) :  |b ill., couv. ill. ;  |c 24 cm. 
490 1 |a Oxford University studies in the Enlightenment  |x 0435-2866  |v 2018/02 
504 |a Bibliogr. p. 371-378. Notes bibliogr. Index 
520 |a La 4e de couverture indique : "In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators and the works they produced state borders were less important than style, genre and canon. Through a series of multinational case studies a team of authors examines the mechanisms and characteristics of cultural and artistic adaptability to demonstrate the complexity and flexibility of theatrical and musical exchanges during this period. By exploring questions of national taste, so-called cultural appropriation and literary preference, contributors examine the influence of the French canon on the European stage as well as its eventual rejection , probe how and why musical and dramatic materials became such prized objects of exchange, and analyse the double processes of transmission and literary cross-breeding in translations and adaptations. Examining patterns of circulation in England, France, the Netherlands, Germany, Scandinavia, Russia, Bohemia, Austria, Italy and the United States, authors highlight : the role of migrant musicians in breaching national boundaries and creating a musical cosmopolitanism ; the emergence of a specialised market in which theatre agents and local authorities negotiated contracts and productions, and recruited actors and musicians ; the translations and rewritings of major plays such as Sheridan s The School for scandal, Schiller s Die Räuber and Kotzebue s Menschenhass und Reue ; the refashioning of indigenous and national dramas in Europe under French Revolutionary and imperial rule." 
650 |a Théâtre  |z France  |y 18e siècle 
650 |a Théâtre  |z Europe  |y 18e siècle 
650 |a Musique  |z Europe  |y 18e siècle 
650 |a Diffusion de la culture  |z Europe  |y 18e siècle 
650 |a Musique  |z France  |y 18e siècle 
650 |a Arts du spectacle  |z France  |y 18e siècle 
700 1 |a Beaurepaire, Pierre-Yves,  |d 1968-  |4 edt 
700 1 |a Bourdin, Philippe,  |d 1961-....,  |c historien.  |4 edt 
700 1 |a Wolff, Charlotta,  |d 1976-  |4 edt 
776 0 |0 284889873  |t Moving scenes  |o the circulation of music and theatre in Europe, 1700-1815  |f edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff  |d 2018  |c Oxford  |n Voltaire Foundation  |s Oxford University studies in the Enlightenment  |z 978-1-800-85888-6 
997 |0 672971  |1 Livre papier  |a Ressource papier  |c 0/Orléans/  |c 1/Orléans/BU Lettres, Langues et Sciences humaines/  |z Orléans, BU Lettres, Langues et Sciences humaines, 792 MOV