Invention : Northern Renaissance Studies in Honor of Molly Faries
Elucidating the steps that led to a finished work of art has been one of Molly Faries principal concerns in nearly forty years of research and teaching. A pioneer in infrared reflectography, she has demonstrated like no other scholar the importance of technical studies to art history, in the way tha...
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| Tác giả khác: | |
|---|---|
| Định dạng: | Livre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Turnhout :
Brepols (éditions)
2008.
Turnhout : Brepols Publishers |
| Loạt: | Me Fecit
5 |
| Những chủ đề: | |
| Truy cập trực tuyến: | Accès sur la plateforme de l'éditeur Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Chú thích: |
Notice rédigée d'après la consultation du 2011-04-01 L'impression du document génère 231 p. Titre provenant de l'écran d'accueil Numérisation de l'édition de Turnhout : Brepols, 2008 Brepols e-books (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Variante du titre: | Mélanges :, Faries |
| Edition sous un autre format: | • Invention, Northern Renaissance studies in honor of Molly Faries, edited by Julien Chapuis, Turnhout, Brepols, 2008, 1 vol. (XXVII-231 p.-32 p. de pl.), 978-2-503-52768-0 |
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| 240 | 1 | 0 | |a Mélanges : |b Faries |
| 245 | 0 | 0 | |a Invention : |b Northern Renaissance Studies in Honor of Molly Faries |c [édité par] Julien Chapuis. |
| 256 | |a Données textuelles | ||
| 260 | |a Turnhout : |b Brepols (éditions). | ||
| 260 | |a Turnhout : |b Brepols Publishers, |c 2008. | ||
| 490 | 1 | |a Me Fecit |v 5 | |
| 500 | |a Notice rédigée d'après la consultation du 2011-04-01 | ||
| 500 | |a L'impression du document génère 231 p. | ||
| 500 | |a Titre provenant de l'écran d'accueil | ||
| 500 | |a Numérisation de l'édition de Turnhout : Brepols, 2008 | ||
| 500 | |a Brepols e-books (Licence nationale) | ||
| 504 | |a Bibliogr. de Molly Faries p. XIII-XVI. Notes bibliogr. Index | ||
| 506 | |a Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/brepols-contrat-licence-ln-2017 | ||
| 506 | |a Accès en ligne pour les établissements français bénéficiaires des licences nationales | ||
| 506 | |a Accès soumis à abonnement pour tout autre établissement | ||
| 520 | |a Elucidating the steps that led to a finished work of art has been one of Molly Faries principal concerns in nearly forty years of research and teaching. A pioneer in infrared reflectography, she has demonstrated like no other scholar the importance of technical studies to art history, in the way that they provide insight into an artist s technique and development, into collaboration within a workshop, and into master-pupil relationships. Molly Faries has taught generations of students and colleagues to view paintings not as static objects but as the results of successive choices.The volume s title, Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly s passion for understanding an artist s creative process. The term invention is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons taste? How did artists transform their own inventions over time and adopt those of others? Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours? The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Dürer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder.This book, one of the few devoted specifically to the concept of invention in Northern Renaissance art, is richly illustrated with 32 color plates and 179 black-and-white reproductions; it includes an index. | ||
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