Flare out : Aesthetics, 1966-2016

Flare Out : Aesthetics 1966 2016 is a collection of essays by Peter Gidal that includes Theory and Definition of Structural/Materialist Film and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Ger...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Gidal, Peter, 1946-
Weitere Verfasser: Webber, Mark, 19..- (HerausgeberIn)
Format: Livre papier
Sprache:Anglais
Veröffentlicht: London : The visible press C 2016.
Schlagworte:
Autres localisations: Voir dans le Sudoc
LEADER 01470nam a22002417a 4500
001 656449
008 170315t20162016xxe ||| |||| 00| 0 eng d
009 PPN199419698
020 |a 9780992837716 (rel.) 
024 |a 9780992837716 
041 0 |a eng 
100 1 |a Gidal, Peter,  |d 1946- 
245 1 0 |a Flare out :  |b Aesthetics, 1966-2016   |c Peter Gidal ; edited by Mark Webber and Peter Gidal. 
260 |a London :  |b The visible press. 
260 |c C 2016. 
300 |a 1 vol. (268 p.-[16] p. de pl.) :  |b ill. ;  |c 20 cm. 
504 |a Bibliogr. p. 255-268. Filmogr. p. 253-254. Notes bibliogr. 
520 |a Flare Out : Aesthetics 1966 2016 is a collection of essays by Peter Gidal that includes Theory and Definition of Structural/Materialist Film and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal s writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers Co-operative, and taught advanced film theory at the Royal College of Art 
650 |a Films expérimentaux 
650 |a Cinéma  |x Esthétique 
650 |a Cinéma 
700 1 |a Webber, Mark,  |d 19..-  |4 edt 
997 |0 656449  |1 Livre papier  |a Ressource papier  |b ENSA  |c 0/Bourges/  |c 1/Bourges/ENSA/  |z Bourges, ENSA, TH GIDA