The New Violent Cartography : Geo-analysis after the aesthetic turn
This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts...
Zapisane w:
| Kolejni autorzy: | , |
|---|---|
| Format: | Livre numérique |
| Język: | Anglais |
| Wydane: |
Abingdon :
Taylor & Francis
20XX.
Abingdon : Taylor and Francis Group |
| Dostęp online: | Accès sur la plateforme de l'éditeur Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Komentarz: |
Taylor & Francis (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • The new violent cartography, geo-analysis after the aesthetic turn, edited by Samson Okoth Opondo and Michael J. Shapiro, London, Routledge, 2012, 1 vol. (XII-292 p.), Interventions, 978-0-415-78284-5 |
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| 245 | 0 | 0 | |a The New Violent Cartography : |b Geo-analysis after the aesthetic turn |c Sam Okoth Opondo, Michael J. Shapiro. |
| 260 | |a Abingdon : |b Taylor & Francis. | ||
| 260 | |a Abingdon : |b Taylor and Francis Group, |c 20XX. | ||
| 500 | |a Taylor & Francis (Licence nationale) | ||
| 506 | |a Accès en ligne pour les établissements français bénéficiaires des licences nationales | ||
| 506 | |a Accès soumis à abonnement pour tout autre établissement | ||
| 506 | |a Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/taylor-francis-ebooks-contrat-licence-ln-2015 | ||
| 520 | |a This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are equipped for fitting in them. Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity. This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today. | ||
| 700 | 1 | |a Opondo, Sam Okoth. |4 edt | |
| 700 | 1 | |a Shapiro, Michael J., |d 1940- |4 edt | |
| 776 | 0 | |0 165967293 |t The new violent cartography |o geo-analysis after the aesthetic turn |f edited by Samson Okoth Opondo and Michael J. Shapiro |c London |n Routledge |d 2012 |p 1 vol. (XII-292 p.) |s Interventions |z 978-0-415-78284-5 | |
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| 856 | 4 | |q PDF |u https://revue-sommaire.data.istex.fr/ark:/67375/8Q1-QTPKB1GK-1 |z Accès sur la plateforme ISTEX | |
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