Exhibition

Gardado en:
Detalles Bibliográficos
Outros autores: Steeds, Lucy (Compilateur)
Formato: Livre papier
Idioma:Anglais
Publicado: Cambridge (Mass.) : London : The MIT Press ; Whitechapel Gallery C 2014.
Series:Documents of contemporary art
Sujets:
Autres localisations: Voir dans le Sudoc
Table des matières:
  • Defining 'Exhibition'
  • P. 26
  • The work of art in the age of its technological reproducibility, 1935-36 / Walter Benjamin
  • P. 27
  • The exhibition and the display, 2009 / Martin Beck
  • P. 33
  • Experimental workshop and the deterritorialization of art, 1991 / Katsuhiro Yamaguchi
  • P. 35
  • Anonymous untitled proposal, 1966 / OHO (Marko Pogacnik)
  • P. 36
  • On exhibitions and the world at large : in conversation with Charles Harrison, 1969 / Seth Siegelaub
  • P. 40
  • The London experience : Underground, 1970 / Hélio Oiticica
  • P. 43
  • Exhibiting exhibitions, 1972/92 / Daniel Buren
  • P. 44
  • 'Inside the white cube' : In more senses than one, 2008 / Patricia Falguières
  • P. 49
  • Prominence given, authority taken : In conversation with Douglas Crimp, 2000 / Louise Lawler
  • P. 55
  • In conversation with Daniel Birnbaum, 2007 / Philippe Parreno ; Vice-versa, 1992 / Stuart Morgan
  • P. 58
  • 'Services' : a working-group exhibition (1994), 1996 / Andrea Fraser
  • P. 67
  • If white is just a colour, the gallery is just a sight?, 2002 / Marion von Osten
  • P. 72
  • Response to the next Documenta should be curated by an artist, 2004 / AA Bronson
  • P. 73
  • 'With our faces to the rising sun' : a dialogue, 2006 / Thelma Gordon and Glenn Ligon
  • P. 81
  • Art and the foreigner's gaze : a report on contemporary African art, 2008 / Chika Okeke-Augulu
  • P. 96
  • Exhibition as school in a divided city, 2006 / Anton Vidokle
  • P. 100
  • On curatorial responsibility, 2010 / Raqs Media Collective
  • P. 105
  • Who cares a lot? Ruangrupa as curatorship, 2012 / David Teh
  • In the Exhibition moment
  • P. 116
  • The world as labyrinth, 1960 / Situationist International
  • P. 119
  • Report on 'A demonstration for capitalist realism', 1963 / Konrad Lueg and Gerhard Richter
  • P. 121
  • Anti-civilization exhibition, 1965 / Matzuzawa Yutaka
  • P. 122
  • A model for a qualitative society, 1968 / Working Group for 'The Model' (Palle Nielsen)
  • P. 123
  • Maintenance art manifesto : Proposal for an exhibition 'CARE', 1969 / Mierle Laderman Ukeles
  • P. 126
  • Untitled statement in response to Documenta 5, 1972 / Carl Andre, Hans Haacke, Donald Judd, Sol LeWitt, et. al.
  • P. 127
  • 'c. 7,500' : an exhibition, 1973 / Lucy R. Lippard
  • P. 128
  • Stars art exhibition, 1979 / Huang Rui
  • P. 129
  • Magicians of the earth : on 'Magiciens de la Terre', 1989 / Rasheed Araeen
  • P. 136
  • The work of art in the (imagined) age of unalienated exhibition, 1990 / Yvonne Rainer
  • P. 138
  • Ill Tempo : looking back at future art, 1996 / Liam Gillick
  • P. 142
  • The prediction in the age of post-exhibition, 2001 / Qiu Zhijie
  • P. 148
  • Gwangju, Pause, 2002 / Wan-kyung Sung, Charles Esche and Hou Hanru
  • P. 152
  • On 'How to live together', 2006 / Lisette Lagnado
  • Exhibition histories
  • P. 156
  • When exhibitions become form : a brief history of the artist as curator, 2012 / Elena Filipovic
  • P. 168
  • Designed aesthetic : exhibition design and the Independent Group, 1987 / Judith Barry
  • P. 173
  • 'The air-conditioning show' conference, 2008 / Art & language
  • P. 177
  • Temporary artistic communities : in conversation with Francesco Manacorda, 2008 / Piero Gilardi
  • P. 184
  • Notes from the underground, 1993 / Peter Wollen
  • P. 188
  • On the context of Womanhouse (1972), 1980 / Moira Roth
  • P. 192
  • On dialogic exhibition-making : in conversation with Natasha Ginwala, 2010 / Geeta Kapur
  • P. 194
  • The decade BC (Before Chernenko) in contemporary Russian art, 1985 / Margarita Tupitsyn
  • P. 200
  • Objects of performance : a story from Senegal, 1995 / El Hadji Sy
  • P. 202
  • The curatorial turn in Southeast Asia and the afterlife of the modern, 2008 / Patrick D. Flores
  • P. 209
  • How do we know what Latin American conceptualism looks like?, 2000 / Miguel A. López