Josef Bauer : Werke, 1965-Heute = = Josef Bauer : works, 1965-Today

Catalog of a retrospective exhibition held at the Grazer Kunstverein showcasing Josef Bauer's experiments with language, color, and their spatial contexts. His work combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere carriers of mean...

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Bibliografiske detaljer
Institution som forfatter: Grazer Kunstverein (Éditeur intellectuel)
Andre forfattere: Gruijthuijsen, Krist (Éditeur intellectuel)
Format: Livre papier
Sprog:Allemand
Anglais
Udgivet: Berlin : Graz : Sternberg Press ; Grazer Kunstverein [2014].
Fag:
Kommentar: Catalog of an exhibition held at Grazer Kunstverein, Graz, Austria, Dec. 7, 2013-Feb. 23, 2014
Textes en allemand et en anglais
Autres localisations: Voir dans le Sudoc
Variante du titre:Exposition., Grazer Kunstverein, Graz, 2014
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240 1 0 |a Exposition.  |l Grazer Kunstverein  |g Graz  |f 2014 
245 0 0 |a Josef Bauer :  |b Werke, 1965-Heute = = Josef Bauer : works, 1965-Today   |c Herausgeber, Krist Gruijthuijsen. 
260 |a Berlin :  |b Sternberg Press ;  |a Graz :  |b Grazer Kunstverein,  |c [2014]. 
300 |a 1 vol. (208 p.) :  |b ill. ;  |c 28 cm. 
500 |a Catalog of an exhibition held at Grazer Kunstverein, Graz, Austria, Dec. 7, 2013-Feb. 23, 2014 
500 |a Textes en allemand et en anglais 
505 0 |a Preface / Krist Gruijthuijsen -- Image-Language / Thomas Zaunschirm -- "He was always a step ahead of everybody" / Hans-Peter Feldman -- Josef Bauer, escaped from his time into the current context / Bettina Steinbrügge -- Works 
520 |a Catalog of a retrospective exhibition held at the Grazer Kunstverein showcasing Josef Bauer's experiments with language, color, and their spatial contexts. His work combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere carriers of meaning. By removing their two-dimensional context, letters become objects that communicate directly with our bodies in an unfiltered and urgent language called tactile poetry. In addition to over one hundred career-spanning works by Bauer, this volume brings together critical commentary from a variety of experts. In his introduction, Krist Gruijthuijsen illuminates Bauer's tactile poetry as a radical embodiment of 1960's Concrete poetry. In an essay from 1974, Austrian philosopher Thomas Zaunschirm explores Bauer's formal bid to transcend the representational relation of language to images. Situating Bauer's work in a historical context, Bettina Steinbrügge throws light on the reception and development of his works. The book also includes a unique visual rejoinder by artist Hans-Peter Feldmann 
600 |a Bauer, Josef,  |d 1934-2022  |c artiste 
650 |a Art conceptuel  |z Australie 
650 |a Catalogues d'exposition 
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