Natur : Michael Schmidt.
In a series of black and white images of the German landscape made between 1987 and 1997, Michael Schmidt has forged a new pictorial language to deconstruct the world he observes. Concerned with light and form, Schmidt’s images contain a wealth of silver tones, a spectrum of rich greys whic...
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Livre papier |
| Iaith: | Anglais |
| Cyhoeddwyd: |
[Londres] :
Mack
2014.
|
| Pynciau: | |
| Autres localisations: | Voir dans le Sudoc |
| LEADER | 01292nam a22002057a 4500 | ||
|---|---|---|---|
| 001 | 524165 | ||
| 008 | 150414s2014 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN184946182 | ||
| 020 | |a 9781907946585 | ||
| 020 | |a 1907946586 | ||
| 041 | 0 | |a eng | |
| 082 | |a 770 | ||
| 100 | 1 | |a Schmidt, Michael, |d 1945- | |
| 245 | 1 | 0 | |a Natur : |b Michael Schmidt. |
| 260 | |a [Londres] : |b Mack, |c 2014. | ||
| 300 | |a 1 vol. (104 p.) : |b ill. ; |c 25 cm. | ||
| 520 | |a In a series of black and white images of the German landscape made between 1987 and 1997, Michael Schmidt has forged a new pictorial language to deconstruct the world he observes. Concerned with light and form, Schmidt’s images contain a wealth of silver tones, a spectrum of rich greys which evolve from light to dark in mystical, imperceptible gradients. But the black and white filter is also a tool that allows Schmidt to neutralise the world, impeding the subjective perception of his viewer. It is through his editorial process, a process of montage, that Schmidt constructs an interior dialect, fashioning a self-contained world within the linear sequence of the book.0 | ||
| 600 | |a Schmidt, Michael, |d 1945-.... | ||
| 650 | |a Photographie de paysage | ||
| 997 | |0 524165 |1 Livre papier |a Ressource papier |b ENSA |c 0/Bourges/ |c 1/Bourges/ENSA/ |z Bourges, ENSA, MO SCHM | ||