Killer images : documentary film, memory and the performance of violence

Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Brink, Joram ten, 19..-
مؤلفون آخرون: Oppenheimer, Joshua, 1974- (مدير النشر)
التنسيق: Livre papier
اللغة:Anglais
منشور في: London ; New York (N.Y.) : Wallflower press C 2012.
سلاسل:Nonfictions series
الموضوعات:
Autres localisations: Voir dans le Sudoc
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100 1 |a Brink, Joram ten,  |d 19..- 
245 1 0 |a Killer images :  |b documentary film, memory and the performance of violence   |c edited by Joram Ten Brink & Joshua Oppenheimer. 
260 |a London ;  |a New York (N.Y.) :  |b Wallflower press. 
260 |c C 2012. 
300 |a 1 vol. (330 p.) :  |b ill ;  |c 23 cm. 
490 0 |a Nonfictions series 
504 |a Notes bibliogr. Index 
520 |a Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan 
650 |a Films documentaires 
650 |a Violence  |x Au cinéma 
700 1 |a Oppenheimer, Joshua,  |d 1974-  |4 pbd 
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