The absolute bourgeois : artists and politics in France, 1848-1851
Résumé éditeur : "First published in 1973 The Absolute Bourgeois rapidly became an art-historical classic. Along with its companion volume Image of the People: Gustave Courbet and the 1848 Revolution it shows how powerful art-historical writing can be when closely allied to a detailed study of...
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Livre papier |
| Hizkuntza: | Anglais |
| Argitaratua: |
London :
Thames and Hudson
cop. 1973.
|
| Gaiak: | |
| Oharra: |
Autres tirages : 1978, 1982, 1999 |
| Autres localisations: | Voir dans le Sudoc |
| LEADER | 02281nam a22002777a 4500 | ||
|---|---|---|---|
| 001 | 28637 | ||
| 008 | 730324t19731973xxe ||| |||| 00| 0 eng d | ||
| 009 | PPN020339224 | ||
| 020 | |a 0500272468 (rel.) | ||
| 020 | |a 0500490082 (br.) : |c 4.50 GBP | ||
| 020 | |a 9780500272466 (br.) | ||
| 024 | |a 9780500272466 | ||
| 041 | 0 | |a eng | |
| 080 | |a 93 | ||
| 082 | |a 700/.944 | ||
| 100 | 1 | |a Clark, T. J., |d 1943-...., |c historien de l'art. | |
| 245 | 1 | 0 | |a The absolute bourgeois : |b artists and politics in France, 1848-1851 |c T.J. Clark. |
| 260 | |a London : |b Thames and Hudson, |c cop. 1973. | ||
| 300 | |a 1 vol. (224 p.-[48] p. d epl. en noir et en coul.) : |b fac-sim., jaquette ill. en coul. ; |c 25 cm. | ||
| 500 | |a Autres tirages : 1978, 1982, 1999 | ||
| 504 | |a Bibliogr. 209-218. Notes bibliogr. en fin d'ouvrage. Chronol. p. 187-188. Index | ||
| 520 | |a Résumé éditeur : "First published in 1973 The Absolute Bourgeois rapidly became an art-historical classic. Along with its companion volume Image of the People: Gustave Courbet and the 1848 Revolution it shows how powerful art-historical writing can be when closely allied to a detailed study of the political and philosophical background of a period. Although it covers a short time span the years immediately after the 1848 Revolution in France it examines the painting and print-making of a handful of artists trying to come to terms with a changing political world. Daumier and Millet are central, particularly in their dealings with the new State s art patronage machine. Delacroix figures as a painter and diarist, in agonized withdrawal from the possibility of change, haunted by his own Liberty Guiding the People. Baudelaire is depicted, after a moment of tortured political involvement in the first months of the Republic, as the great poet of post-revolutionary despair. Immensely readable, this is a powerful evocation of a time when, as Clark says, art and politics could not escape each other ." | ||
| 650 | |a Arts et politique |z France |y 19e siècle | ||
| 650 | |a Art et politique |z France |y 19e siècle | ||
| 650 | |a Vie intellectuelle |z France |y 19e siècle | ||
| 997 | |0 28637 |1 Livre papier |a Ressource papier |c 0/Orléans/ |c 1/Orléans/BU Lettres, Langues et Sciences humaines/ |z Orléans, BU Lettres, Langues et Sciences humaines, z8278 | ||