The complete poems, Elizabeth Bishop
Elizabeth Bishop was vehement about her art--a perfectionist who didn't want to be seen as a "woman poet." In 1977, two years before her death she wrote, "art is art and to separate writings, paintings, musical compositions, etc., into two sexes is to emphasize values in them tha...
Tallennettuna:
| Päätekijä: | |
|---|---|
| Aineistotyyppi: | Livre papier |
| Kieli: | Français |
| Julkaistu: |
Paris :
CNED : Armand Colin
DL 2002.
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| Aiheet: | |
| Huomautus: |
La couverture porte en plus : "CAPES-Agrégation" |
| Autres localisations: | Voir dans le Sudoc |
| LEADER | 02415nam a22002657a 4500 | ||
|---|---|---|---|
| 001 | 189276 | ||
| 008 | 030110t20022002xxe ||| |||| 00| 0 fre d | ||
| 009 | PPN069243379 | ||
| 020 | |a 2200263880 (broché) : |c 15 EUR | ||
| 024 | |a 9782200263881 | ||
| 041 | 0 | |a fre | |
| 082 | |a 811.5 | ||
| 100 | 1 | |a Bellehigue, Myriam, |d 1969. | |
| 245 | 1 | 0 | |a The complete poems, Elizabeth Bishop |c Myriam Bellehigue. |
| 260 | |a Paris : |b CNED : |b Armand Colin, |c DL 2002. | ||
| 300 | |a 1 volume (148 pages) ; |c 24 cm. | ||
| 500 | |a La couverture porte en plus : "CAPES-Agrégation" | ||
| 504 | |a Bibliographie pages [141]-146. Notes bibliographiques. Index | ||
| 520 | |a Elizabeth Bishop was vehement about her art--a perfectionist who didn't want to be seen as a "woman poet." In 1977, two years before her death she wrote, "art is art and to separate writings, paintings, musical compositions, etc., into two sexes is to emphasize values in them that are not art." She also deeply distrusted the dominant mode of modern poetry, one practiced with such detached passion by her friend Robert Lowell, the confessional. Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow. | ||
| 600 | |a Bishop, Elizabeth, |d 1911-1979 |x Critique et interprétation | ||
| 650 | |a Anglais (langue) |x Manuels d'enseignement supérieur | ||
| 650 | |a Certificat d'aptitude au professorat de l'enseignement du second degré |x Manuels d'enseignement supérieur | ||
| 650 | |a Agrégation d'anglais |x Manuels d'enseignement supérieur | ||
| 650 | |a Poésie américaine |y 20e siècle | ||
| 997 | |0 189276 |1 Livre papier |a Ressource papier |c 0/Orléans/ |c 1/Orléans/BU Lettres, Langues et Sciences humaines/ |z Orléans, BU Lettres, Langues et Sciences humaines, XB12300 | ||