Westkunst 1981 : A historiography of modernism exhibited
In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 [Western Art: Contemporary Art since 1939]. Organised by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charge...
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| Otros Autores: | |
| Formato: | Livre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Paris :
Éditions de la Maison des sciences de l homme
2025.
Marseille : OpenEdition |
| Colección: | Passages
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| Materias: | |
| Acceso en línea: | https://books.openedition.org/editionsmsh/77128 Accès Université d'Orléans et IFPM ; Accès complet au document dans sa version HTML. Pas d'accès aux autres formats (PDF, Epub). |
| Nota: |
Certains textes ont été traduit du français et de l'allemand en anglais OpenEdition Books (freemium) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Westkunst 1981, a historiography of modernism exhibited, Mathilde Arnoux and Maria Bremer, eds., 2025, Paris, Éditions de la Maison des sciences de l homme, Centre allemand d'histoire de l'art, 1 volume (373 pages), Passages, 978-2-7351-3057-3 |
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| 100 | 1 | |a Arnoux, Mathilde, |d 1976- | |
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| 506 | |a L'accès complet à la ressource est réservé aux usagers des établissements qui en ont fait l'acquisition | ||
| 506 | |a Accès libre | ||
| 506 | |a OpenEdition Books License. https://www.openedition.org/12554 | ||
| 520 | |a In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 [Western Art: Contemporary Art since 1939]. Organised by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charged themes of freedom and individual expression. By examining Westkunst s historiographical stakes in light of the Iron Curtain division of Europe, the show is revealed in this collective volume as paradigmatic of the ways in which hegemonic concepts of Western art and the accompanying processes of othering were fashioned in the art world. Westkunst s universalising claims are scrutinised here by focusing on the artistic tendencies exhibited; on exhibitionary discourses and practices of decontextualisation, comparison, and appropriation; on the alleged realisation of the values of progress, freedom, and autonomy; on the enacted conceptions of temporality and the architectural devices of narrativisation; and on the exhibition s blind spots and exclusions and the critical reactions it elicited. This analytic output makes fresh use of the archival materials, which are neither centralised nor systematised, with significant excerpts republished throughout the book. Seen through the lens of exhibition history, this revisiting of Westkunst sheds light on a broader trend of cultural conservatism that was gaining strength in the 1980s, just before the end of the Cold War, and on the start of new forms of globalisation | ||
| 650 | |a Westkunst |b Exposition |f 1981 |e Cologne | ||
| 650 | |a Scénographie d'exposition |z Europe |y XXe siècle | ||
| 650 | |a Art |y 20e siècle |x Appréciation |z Europe | ||
| 651 | |a Europe |y 1970-1989 | ||
| 700 | 1 | |a Bremer, Maria, |d 19..- |4 pbd | |
| 776 | 0 | |0 286905876 |t Westkunst 1981 |o a historiography of modernism exhibited |f Mathilde Arnoux and Maria Bremer, eds. |d 2025 |c Paris |n Éditions de la Maison des sciences de l homme |n Centre allemand d'histoire de l'art |p 1 volume (373 pages) |s Passages |z 978-2-7351-3057-3 | |
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