Global objects : toward a connected art history

"The established narrative of art history is traditionally narrated through national or cultural lenses that focus on specific artistic practices characteristic of a given nation or culture: bronze in ancient China, architecture in ancient Rome, or oil painting in early modern Europe, for insta...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Cooke, Edward Strong, 1954-...., Jr
التنسيق: Livre numérique
اللغة:Anglais
منشور في: Princeton, NJ ; Oxford : Princeton University Press 2022.
Paris : Cyberlibris
الموضوعات:
الوصول للمادة أونلاين:Accès Université Orléans et IFPM 
ملاحظة: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691237558.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Global objects, toward a connected art history, Edward S. Cooke, Jr, 2022, Princeton, NJ, Princeton University Press, 1 volume (327 pages), 978-0-691-18473-9
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100 1 |a Cooke, Edward Strong,  |d 1954-....,  |c Jr. 
245 1 0 |a Global objects :  |b toward a connected art history   |c Edward S. Cooke, Jr. 
260 |a Princeton, NJ ;  |a Oxford :  |b Princeton University Press. 
260 |a Paris :  |b Cyberlibris,  |c 2022. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691237558.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Notes bibliographiques. Index 
505 0 |a Introduction -- I. Making. Materials ; Realization -- II. Movement. Circulation and interchange ; Function -- III. Meaning. Memory and gift ; Appearance ; Touch -- Conclusion -- Glossary 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a "The established narrative of art history is traditionally narrated through national or cultural lenses that focus on specific artistic practices characteristic of a given nation or culture: bronze in ancient China, architecture in ancient Rome, or oil painting in early modern Europe, for instance. These practices accord with a modern Western frame of reference, which defines art as the fine arts and relegates other works to the category of craft. Objects of use are rarely included-dismissed as insignificant, merely functional, lacking in imagination, or even primitive. The result has been a fragmented, hierarchical field in which broad comparative strokes have proved difficult to sustain, and longstanding biases have become standardized. This book challenges the hierarchy of genres and materials, as well as the concept of singular artistic centers with linear chronological narratives. Author Ned Cooke is one of the leading scholars working on the history of material culture within art history. Taking a thematic approach to interconnected histories and questioning the accepted notion of art as a category that privileges certain modes of production, Cooke focuses on quotidian materials-including fiber, clay, wood, and metal-and the so-called decorative arts as embodiments of a more inclusive human history of visual culture. Through an exploration of the conception, production, circulation, and ongoing social life of objects over a broad period of time and geography, he develops a more global and complex view of culture in which initiative, emulation, adaptation, and innovation flow in multiple directions, and objects operate locally, regionally, and globally, often at the same time. Eschewing traditional binaries of east versus west and fine art versus decorative art, this book offers a radical, non-normative guide to thinking about a connected world art history 
650 |a Arts décoratifs 
650 |a Objets d'art 
650 |a Art 
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