Women artists in expressionism : from empire to emancipation
Featuring a selection of women artists active between 1890 to 1924, this book investigates divergent responses to the dramatic historical events and structural transformations during the early twentieth century. It reveals their efforts, with greater or relative success, to negotiate the competitive...
Enregistré dans:
| Hovedforfatter: | |
|---|---|
| Format: | Livre numérique |
| Sprog: | Anglais |
| Udgivet: |
Princeton (N.J.) :
Princeton University Press
2022.
Paris : Cyberlibris |
| Fag: | |
| Online adgang: | Accès Université Orléans et IFPM |
| Kommentar: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691240961.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Women artists in expressionism, from empire to emancipation, Shulamith Behr, 2022, Princeton (N.J.), Princeton University Press, 1 volume (299 pages), 978-0-691-04462-0 |
Indholdsfortegnelse:
- 1. Women Artists, Expressionist Avant-Garde Culture, and the Public Sphere
- 2. The Canonizing of Paula Modersohn-Becker: Embodying the Subject and the Feminization of Expressionism
- 3. Käthe Kollwitz, the Expressionist Milieu, and the Making of Her Career
- 4. Female Avant-Garde Identity and Creativity in the Blaue Reiter: The Possibility of a "Blaue Reiterreiterin
- 5. Europeanism and Neutrality as Active Intervention: Gabriele Münter, Sturmkünstlerin, and Swedish Expressionism (1915-20)
- 6. The Gender and Geopolitics of Neutrality: Jacoba van Heemskerck, the Sturm Circle, and Spiritual Abstraction (1913-23)
- 7. The Formation of the Modern Woman Patron, Collector, and Dealer: From Brücke to Second-Generation Expressionism