Women artists in expressionism : from empire to emancipation
Featuring a selection of women artists active between 1890 to 1924, this book investigates divergent responses to the dramatic historical events and structural transformations during the early twentieth century. It reveals their efforts, with greater or relative success, to negotiate the competitive...
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| Autor principal: | |
|---|---|
| Formato: | Livre numérique |
| Idioma: | Anglais |
| Publicado em: |
Princeton (N.J.) :
Princeton University Press
2022.
Paris : Cyberlibris |
| Assuntos: | |
| Acesso em linha: | Accès Université Orléans et IFPM |
| Nota: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691240961.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Women artists in expressionism, from empire to emancipation, Shulamith Behr, 2022, Princeton (N.J.), Princeton University Press, 1 volume (299 pages), 978-0-691-04462-0 |
| LEADER | 03728nam a22002657a 4500 | ||
|---|---|---|---|
| 001 | 1289154 | ||
| 008 | 250325s2022 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283916842 | ||
| 020 | |a 9780691240961 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Behr, Shulamith, |d 1946-2023. | |
| 245 | 1 | 0 | |a Women artists in expressionism : |b from empire to emancipation |c Shulamith Behr. |
| 260 | |a Princeton (N.J.) : |b Princeton University Press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2022. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691240961.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 504 | |a Notes bibliographiques pages 243-277. Index pages 279-297 | ||
| 505 | 0 | |a 1. Women Artists, Expressionist Avant-Garde Culture, and the Public Sphere -- 2. The Canonizing of Paula Modersohn-Becker: Embodying the Subject and the Feminization of Expressionism -- 3. Käthe Kollwitz, the Expressionist Milieu, and the Making of Her Career -- 4. Female Avant-Garde Identity and Creativity in the Blaue Reiter: The Possibility of a "Blaue Reiterreiterin -- 5. Europeanism and Neutrality as Active Intervention: Gabriele Münter, Sturmkünstlerin, and Swedish Expressionism (1915-20) -- 6. The Gender and Geopolitics of Neutrality: Jacoba van Heemskerck, the Sturm Circle, and Spiritual Abstraction (1913-23) -- 7. The Formation of the Modern Woman Patron, Collector, and Dealer: From Brücke to Second-Generation Expressionism | |
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a Featuring a selection of women artists active between 1890 to 1924, this book investigates divergent responses to the dramatic historical events and structural transformations during the early twentieth century. It reveals their efforts, with greater or relative success, to negotiate the competitive market economy of the late Wilhelmine empire and the uncertainties of the early Weimar Republic. In examining these artists, Shulamith Behr uncovers the overlooked importance of women's emancipative ideals to the development of avant-garde culture. Behr explores the richness of the women's engagement with and shaping of Expressionism, the modern art movement noted for its intention to express the emotional-rather than physical-reality of the artist. Behr examines the posthumous critical reception of Paula Modersohn-Becker as a prime agent of the feminization of the movement; Käthe Kollwitz's use of printmaking as a vehicle for technical innovation and socio-political commentary; and the dynamic relationship between Marianne Werefkin and Gabriele Münter, including their different national and cultural origins and paths towards Expressionism in the Blaue Reiter, a group of artists that included Wassily Kandinsky and Paul Klee. Additional chapters examine the role of Herwarth Walden's and Nell Walden's role as art dealers who promoted women Expressionists during the First World War, Münter's encounter with Swedish Expressionism in Scandinavia, and the recognition of Dutch-born abstractionist Jacoba van Heemskerck as an honorary German Expressionist | ||
| 650 | |a Femmes artistes |z Allemagne | ||
| 650 | |a Expressionnisme (art) |z Allemagne | ||
| 776 | 0 | |0 266943985 |t Women artists in expressionism |o from empire to emancipation |f Shulamith Behr |d 2022 |c Princeton (N.J.) |n Princeton University Press |p 1 volume (299 pages) |z 978-0-691-04462-0 | |
| 856 | 4 | |5 452349901:846796589 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88956987 |z Accès Université Orléans et IFPM | |
| 997 | |0 1289154 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||