Gawkers : art and audience in late nineteenth -century france
''Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, in...
Uloženo v:
| Hlavní autor: | |
|---|---|
| Médium: | Livre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Princeton :
Princeton University Press
2022.
Paris : Cyberlibris |
| Témata: | |
| On-line přístup: | Accès Université Orléans et IFPM |
| Poznámka: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691232416.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Gawkers, art and audience in late nineteenth-century France, Bridget Alsdorf, 2022, Princeton, New Jersey, Princeton University Press, 1 volume (285 pages), 978-0-691-16638-4 |
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|---|---|---|---|
| 001 | 1289150 | ||
| 008 | 250325s2022 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283916796 | ||
| 020 | |a 9780691232416 | ||
| 041 | 0 | |a eng | |
| 082 | |a 709.440 9034 | ||
| 100 | 1 | |a Alsdorf, Bridget, |d 1977- | |
| 245 | 1 | 0 | |a Gawkers : |b art and audience in late nineteenth -century france |c Bridget Alsdorf. |
| 260 | |a Princeton : |b Princeton University Press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2022. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691232416.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 504 | |a Notes bibliographiques. Index. | ||
| 505 | 1 | |a Introduction | |
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a ''Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today.''-- | ||
| 650 | |a Publics |x Dans l'art | ||
| 650 | |a Flâneurs |z Paris (France) | ||
| 650 | |a Art |z France |y 19e siècle | ||
| 776 | 0 | |0 263648729 |t Gawkers |o art and audience in late nineteenth-century France |f Bridget Alsdorf |d 2022 |c Princeton, New Jersey |n Princeton University Press |p 1 volume (285 pages) |z 978-0-691-16638-4 | |
| 856 | 4 | |5 452349901:846796597 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88956843 |z Accès Université Orléans et IFPM | |
| 997 | |0 1289150 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||