Christian Iconography : A Study of Its Origins
An illuminating look at the iconography of the early church and its important place in the history of Christian artIn this book, historian André Grabar demonstrates how early Christian iconography assimilated contemporary imagery of the time. Grabar looks at the most characteristic examples of paleo...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Livre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Princeton, NJ :
Princeton University Press
2023.
Paris : Cyberlibris |
| Online toegang: | Accès Université Orléans et IFPM |
| Opmerking: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252094.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Christian Iconography, A Study of Its Origins, André Grabar, Princeton, NJ, Princeton University Press, 2023, 1 vol. (432 p.), 978-06-9125-208-7 |
| LEADER | 01989nam a22002177a 4500 | ||
|---|---|---|---|
| 001 | 1289093 | ||
| 008 | 250324s2023 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283884304 | ||
| 020 | |a 9780691252094 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Grabar, André, |d 1896-1990. | |
| 245 | 1 | 0 | |a Christian Iconography : |b A Study of Its Origins |c André Grabar. |
| 260 | |a Princeton, NJ : |b Princeton University Press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2023. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252094.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a An illuminating look at the iconography of the early church and its important place in the history of Christian artIn this book, historian André Grabar demonstrates how early Christian iconography assimilated contemporary imagery of the time. Grabar looks at the most characteristic examples of paleo-Christian iconography, dwelling on their nature, form, and content. He explores the limits of originality in such art, its debt to figurative art, and the broader cultural climate in the Roman Empire, drawing a distinction between expressive images - that is, genuine works of art - and informative ones. Throughout, Grabar establishes the importance of imperial iconography in the development of Christian portraits and sheds light on the role they played alongside other forms of Christian piety in their day | ||
| 776 | 0 | |t Christian Iconography |o A Study of Its Origins |f André Grabar |c Princeton, NJ |n Princeton University Press |d 2023 |p 1 vol. (432 p.) |z 978-06-9125-208-7 | |
| 856 | 4 | |5 452349901:846796015 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957187 |z Accès Université Orléans et IFPM | |
| 997 | |0 1289093 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||