The Eternal Present. Volume I, The Beginnings of Art
A groundbreaking reevaluation of paleolithic art through the lens of modernism, from the acclaimed historian of art and architecture. In The Beginnings of Art, Sigfried Giedion, best known as a historian of architecture, shifts his attention to art and its very origins. Breaking with an earlier, mat...
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| Glavni autor: | |
|---|---|
| Format: | Livre numérique |
| Jezik: | Anglais |
| Izdano: |
Princeton, NJ :
Princeton University Press
2023.
Paris : Cyberlibris |
| Online pristup: | Accès Université Orléans et IFPM |
| Bilješka: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691251912.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • The Eternal Present, Sigfried Giedion, Princeton, NJ, Princeton University Press, 2023, 1 vol. (618 p.), 978-06-9125-190-5 |
| LEADER | 02107nam a22002177a 4500 | ||
|---|---|---|---|
| 001 | 1289070 | ||
| 008 | 250324s2023 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283883979 | ||
| 020 | |a 9780691251912 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Giedion, Siegfried, |d 1888-1968. | |
| 245 | 1 | 0 | |a The Eternal Present. |n Volume I, |p The Beginnings of Art |c Sigfried Giedion. |
| 260 | |a Princeton, NJ : |b Princeton University Press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2023. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691251912.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a A groundbreaking reevaluation of paleolithic art through the lens of modernism, from the acclaimed historian of art and architecture. In The Beginnings of Art, Sigfried Giedion, best known as a historian of architecture, shifts his attention to art and its very origins. Breaking with an earlier, materialistic approach, he explores paleolithic art by bringing abstraction, transparency, and simultaneity into play as modern art has revealed them anew. Focusing on the dual concepts of constancy and change, he examines paleolithic paintings, engravings, and sculpture, as well as modern art and recent examples of "primitive art." He argues that the two keys to the meaning of prehistoric art are the symbol, portraying reality before reality exists, and the animal as humankind's superior in the unified primordial world in which both human and animal were embedded. The result is a highly original and important study of prehistoric art | ||
| 776 | 0 | |t The Eternal Present |f Sigfried Giedion |c Princeton, NJ |n Princeton University Press |d 2023 |p 1 vol. (618 p.) |z 978-06-9125-190-5 | |
| 856 | 4 | |5 452349901:846796104 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957182 |z Accès Université Orléans et IFPM | |
| 997 | |0 1289070 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||