Face and mask : a double history

A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass mediaThis fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in...

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Detalles Bibliográficos
Autor Principal: Belting, Hans, 1935-2023
Outros autores: Hansen, Abby J., 1945- (Traducteur), Hansen, Thomas Stansfield (Traducteur)
Formato: Livre numérique
Idioma:Anglais
Publicado: Princeton : Princeton University Press 2022.
Paris : Cyberlibris
Sujets:
Acceso en liña:Accès Université Orléans et IFPM 
Nota: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691244594.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Face and mask, a double history, Hans Belting, 2017, Princeton, Princeton University Press, 270 pages, 978-0-691-16235-5
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100 1 |a Belting, Hans,  |d 1935-2023. 
245 1 0 |a Face and mask :  |b a double history   |c Hans Belting ; translated by Thomas S. Hansen and Abby J. Hansen. 
260 |a Princeton :  |b Princeton University Press. 
260 |a Paris :  |b Cyberlibris,  |c 2022. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691244594.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Bibliogr. p. 263-266. Index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass mediaThis fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks - hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation 
650 |a Masques  |x Psychologie 
650 |a Morphopsychologie 
650 |a Expression du visage  |x Dans l'art 
650 |a Visage  |x Dans l'art 
700 1 |a Hansen, Abby J.,  |d 1945-  |4 trl 
700 1 |a Hansen, Thomas Stansfield.  |4 trl 
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