A general theory of visual culture

What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory...

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Bibliografiske detaljer
Hovedforfatter: Davis, Whitney
Format: Livre numérique
Sprog:Anglais
Udgivet: Princeton (New Jersey) ; Oxford : Princeton University Press 2022.
Paris : Cyberlibris
Fag:
Online adgang:Accès Université Orléans et IFPM 
Kommentar: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400836437.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• A general theory of visual culture, Whitney Davis, 2011, Princeton (New Jersey), Princeton University Press, 1 vol. (XVI-384 p.), 978-0-691-17807-3
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245 1 0 |a A general theory of visual culture   |c Whitney Davis. 
260 |a Princeton (New Jersey) ;  |a Oxford :  |b Princeton University Press. 
260 |a Paris :  |b Cyberlibris,  |c 2022. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400836437.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Bibliogr.. p. 341-374. Index 
505 0 |a Part One, The successions of visual culture -- Part Two, What is cultural about vision ? -- Part Three, What is visual about culture ? -- 1, Vision has an art history -- Vision and the successions to visual culture -- 3, What is formalism ? -- 4, The stylistic succession -- 5, The close reading of artifacts -- 6, Successions of pictoriality -- 7, The iconographic succession -- 8, Visuality and pictoriality -- 9, How visual culture becomes visible -- 10, Visuality and the cultural succession 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls visuality is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon 
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