The embedded portrait : Giotto, Giottino, Angelico

A new study of the early Renaissance portraitIn fourteenth-century Italy, ever more women and men - not only clergy but also laity - introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimi...

Szczegółowa specyfikacja

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Opis bibliograficzny
1. autor: Wood, Christopher S., 1961-
Format: Livre numérique
Język:Anglais
Wydane: Princeton (N.J.) : Princeton University Press 2023.
Paris : Cyberlibris
Hasła przedmiotowe:
Dostęp online:Accès Université Orléans et IFPM 
Komentarz: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691254609.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• The embedded portrait, Giotto, Giottino, Angelico, Christopher S. Wood, 2023, Princeton (N.J.), Princeton University Press, 1 volume (366 pages), 978-0-691-24426-6
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100 1 |a Wood, Christopher S.,  |d 1961- 
245 1 0 |a The embedded portrait :  |b Giotto, Giottino, Angelico   |c Christopher S. Wood. 
260 |a Princeton (N.J.) :  |b Princeton University Press. 
260 |a Paris :  |b Cyberlibris,  |c 2023. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691254609.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Bibliographie pages 314-356. Index 
505 0 |a Franciscanism, the Laity, and Portraits -- The Embedded Portrait -- Historiography and Method -- Witnesses -- Interlopers -- The Embedded Portrait in Panofsky, Riegl, and Warburg -- Fra Angelico and the Portrait -- Excursus: Reference and Likeness 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a A new study of the early Renaissance portraitIn fourteenth-century Italy, ever more women and men - not only clergy but also laity - introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked the first worshippers of Christ: Mary, the Three Magi, Mary Magdalene. At the same time, they modeled, for modern viewers, ideal involvement in the emotion-laden stories. In The Embedded Portrait, Christopher S. Wood traces these incursions of the real and profane into Florentine sacred painting between Giotto and Fra Angelico. The portraits not only intruded upon a sacred space, but also intervened in an artwork. The pressure exerted by the modern interlopers - their lives and experiences, implied by their portraits - threatened the formal closure that had served as a powerful symbolic form of the pact between God and humans. The Embedded Portrait reconstructs this art historical drama from the point of view of the artists rather than the patrons. Following clues left by Vasari, the book assigns a leading role to the painter Giottino, or "little Giotto. " Little-known today but highly regarded in his lifetime, Giottino proposed a new manner of painting that was later realized by Fra Angelico through his own innovative approach to the problem of the embedded portrait. Seeking not to stabilize the artworks but to extend their reach, the interpretations offered in The Embedded Portrait re-create and update the psychic and libidinal energies that gave rise to these works in the first place 
650 |a Portraits (peinture)  |y 15e siècle 
650 |a Portraits de la Renaissance  |z Italie 
650 |a Bienfaiteurs  |x Dans l'art  |z Italie  |y Renaissance 
776 0 |0 275114171  |t The embedded portrait  |o Giotto, Giottino, Angelico  |f Christopher S. Wood  |d 2023  |c Princeton (N.J.)  |n Princeton University Press  |p 1 volume (366 pages)  |z 978-0-691-24426-6 
856 4 |5 452349901:846796198  |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957245  |z Accès Université Orléans et IFPM  
997 |0 1288971  |1 Livre numérique  |a Ressource numérique  |b INSA  |b ENSA  |c 0/Bibliothèque numérique/  |c 1/Bibliothèque numérique/ScholarVox (ebooks)/