The Sack of Rome, 1527
From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome. In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding even...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Livre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Princeton, N.J :
Princeton University Press
2023.
Paris : Cyberlibris |
| Materias: | |
| Acceso en línea: | Accès Université Orléans et IFPM |
| Nota: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252247.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • The Sack of Rome, 1527, André Chastel, 1983, Princeton, N.J., Princeton University Press, 1 vol. (xvii-321 p.), The A.W. Mellon lectures in the fine arts, 0-691-09947-2 |
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| 001 | 1288970 | ||
| 008 | 250324s2023 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283878487 | ||
| 020 | |a 9780691252247 | ||
| 041 | 1 | |a eng |h fre | |
| 082 | |a 945/.63207 | ||
| 100 | 1 | |a Chastel, André, |d 1912-1990. | |
| 245 | 1 | 0 | |a The Sack of Rome, 1527 |c André Chastel ; translated from the French by Beth Archer. |
| 260 | |a Princeton, N.J : |b Princeton University Press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2023. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252247.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 504 | |a Bibliogr. p. 289-312. Index | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome. In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or "Europeanization" of the Mannerist style by artists who fled the city - including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery | ||
| 650 | |a Art de la Renaissance |z Italie |z Rome | ||
| 650 | |a Rome (Italie) |y 1527 (Sac de Rome) | ||
| 650 | |a Art |x Mutilation, dégradation, etc. | ||
| 776 | 0 | |0 02465244X |t The Sack of Rome, 1527 |f André Chastel |d 1983 |c Princeton, N.J. |n Princeton University Press |p 1 vol. (xvii-321 p.) |s The A.W. Mellon lectures in the fine arts |z 0-691-09947-2 | |
| 856 | 4 | |5 452349901:846796201 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957195 |z Accès Université Orléans et IFPM | |
| 997 | |0 1288970 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||