A documentary history of art. Volume II. Michelangelo and the mannerists, The Baroque and the eighteenth century
The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelan...
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| Autore principale: | |
|---|---|
| Natura: | Livre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Princeton (N.J.) :
Princeton university press
2022.
Paris : Cyberlibris |
| Soggetti: | |
| Accesso online: | Accès Université Orléans et IFPM |
| Nota: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691242910.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • A documentary history of art, Volume II, Michelangelo and the mannerists, The Baroque and the eighteenth century, selected and edited by Elizabeth Gilmore Holt, Princeton (N.J.), Princeton university press, 1982, 1 vol. (XXIV-386 p.-24 p. de pl.), 0-691-00344-0 |
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| 100 | 1 | |a Holt, Elizabeth Gilmore, |d ....-1987. | |
| 245 | 1 | 0 | |a A documentary history of art. |n Volume II. |n Michelangelo and the mannerists, |p The Baroque and the eighteenth century |c selected and edited by Elizabeth Gilmore Holt. |
| 260 | |a Princeton (N.J.) : |b Princeton university press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2022. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691242910.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 504 | |a Bibliogr. p. XIX-XXIV. Notes bibliogr. Index | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses | ||
| 650 | |a Histoire de l'art |x Sources | ||
| 776 | 0 | |0 134576152 |t A documentary history of art |h Volume II |i Michelangelo and the mannerists, The Baroque and the eighteenth century |f selected and edited by Elizabeth Gilmore Holt |c Princeton (N.J.) |n Princeton university press |d 1982 |p 1 vol. (XXIV-386 p.-24 p. de pl.) |z 0-691-00344-0 | |
| 856 | 4 | |5 452349901:846796708 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957024 |z Accès Université Orléans et IFPM | |
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