Men, women, and chain saws : gender in the modern horror film

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-reveng...

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מידע ביבליוגרפי
מחבר ראשי: Clover, Carol J, 1940-
פורמט: Livre numérique
שפה:Anglais
יצא לאור: Princeton, New Jersey : Princeton university press 2015.
Paris : Cyberlibris
נושאים:
גישה מקוונת:Accès Université Orléans et IFPM 
הערה: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400866113.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Men, women, and chain saws, gender in the modern horror film, by Carol J. Clover, [New edition], 2015, Princeton, New Jersey, Princeton university press, 1 vol. (XIII-260 p.), Princeton classics, 978-0-691-16629-2
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100 1 |a Clover, Carol J,  |d 1940- 
245 1 0 |a Men, women, and chain saws :  |b gender in the modern horror film   |c by Carol J. Clover ; with a new preface by the author. 
260 |a Princeton, New Jersey :  |b Princeton university press. 
260 |a Paris :  |b Cyberlibris,  |c 2015. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400866113.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Bibliogr. p. [243]-253. Filmogr. p. [237]-242. Notes bibliogr. en bas de pages. Index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented - notably the slasher movie's final girls - as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers. Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers 
650 |a Rôle selon le sexe  |x Au cinéma 
650 |a Sexualité  |x Au cinéma 
650 |a Femmes  |x Au cinéma 
650 |a Films d'horreur  |y 1960-1990  |x Thèmes, motifs 
776 0 |0 187835624  |t Men, women, and chain saws  |o gender in the modern horror film  |f by Carol J. Clover  |e [New edition]  |d 2015  |c Princeton, New Jersey  |n Princeton university press  |p 1 vol. (XIII-260 p.)  |s Princeton classics  |z 978-0-691-16629-2 
856 4 |5 452349901:846796945  |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957400  |z Accès Université Orléans et IFPM  
997 |0 1288950  |1 Livre numérique  |a Ressource numérique  |b INSA  |b ENSA  |c 0/Bibliothèque numérique/  |c 1/Bibliothèque numérique/ScholarVox (ebooks)/