Hugo Wolf : the vocal music

A groundbreaking look at one of the great song composers of the late Romantic period. In the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860-1903) has been somewhat neglected, perhaps because he was the master of a small genre - the late Romantic lied - and never truly mad...

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Gorde:
Xehetasun bibliografikoak
Egile nagusia: Youens, Susan
Formatua: Livre numérique
Hizkuntza:Anglais
Argitaratua: Princeton : Princeton University Press 2024.
Paris : Cyberlibris
Gaiak:
Sarrera elektronikoa:Accès Université Orléans et IFPM 
Oharra: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691265018.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Hugo Wolf, the vocal music, Susan Youens, Princeton, Princeton University Press, 1992, 1 vol. (xix, 384 p.), 0-691-09145-5
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100 1 |a Youens, Susan. 
245 1 0 |a Hugo Wolf :  |b the vocal music   |c Susan Youens. 
260 |a Princeton :  |b Princeton University Press. 
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500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691265018.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Bibliogr. p. [369]-376. index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a A groundbreaking look at one of the great song composers of the late Romantic period. In the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860-1903) has been somewhat neglected, perhaps because he was the master of a small genre - the late Romantic lied - and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf "the Richard Wagner of the lied", he was paying oblique homage to Wolf's genius as a song composer in the most modern manner. In this book, Susan Youens examines five aspects of Wolf's compositional art, each exemplifying a different synthesis of traditionalism and modernity and spanning his entire, tragically brief creative life, from his first efforts to his lapse into insanity in 1897. She discusses Wolf's youthful imitations of Schumann, his genius for comic songs of a kind unlike any of his predecessors, his part in the ballad revival of the late nineteenth century, Wolf in relation to his contemporaries, and his pursuit of operatic fame. Youens looks as closely at the poetic texts as she does the music and includes numerous previously unpublished sketches and fragments, examples from songs now long out of print and difficult to obtain, and citations from Wolf's vivid letters and other sources of the period 
600 |a Wolf, Hugo,  |d 1860-1903 
650 |a Musique vocale  |y 19e siècle 
776 0 |0 097636436  |t Hugo Wolf  |o the vocal music  |f Susan Youens  |c Princeton  |n Princeton University Press  |d 1992  |p 1 vol. (xix, 384 p.)  |z 0-691-09145-5 
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