Ambitious form : Giambologna, Ammanati, and Danti in Florence

Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the...

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שמור ב:
מידע ביבליוגרפי
מחבר ראשי: Cole, Michael Wayne, 1969-
פורמט: Livre numérique
שפה:Anglais
יצא לאור: Princeton [N.J.] : Princeton University Press 2022.
Paris : Cyberlibris
נושאים:
גישה מקוונת:Accès Université Orléans et IFPM 
הערה: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400836420.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Ambitious form, Giambologna, Ammanati, and Danti in Florence, Michael W. Cole, Princeton [N.J.], Princeton University Press, 2011, 1 vol. (364 p.), 978-0-691-14744-4
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100 1 |a Cole, Michael Wayne,  |d 1969- 
245 1 0 |a Ambitious form :  |b Giambologna, Ammanati, and Danti in Florence   |c Michael W. Cole. 
260 |a Princeton [N.J.] :  |b Princeton University Press. 
260 |a Paris :  |b Cyberlibris,  |c 2022. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781400836420.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Notes bibliogr. Index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked. Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect 
600 |a Giambologna,  |d 1529-1608 
600 |a Ammannati, Bartolomeo,  |d 1511-1592 
600 |a Danti, Vincenzo,  |d 1530-1576 
650 |a Architecture  |x Dans l'art  |z Italie  |z Florence (Italie)  |x Histoire  |y XVIe siècle 
650 |a Sculpture  |z Italie  |z Florence (Italie)  |x Histoire  |y XVIe siècle 
650 |a Art  |x Aspect politique  |z Italie  |z Florence (Italie)  |x Histoire  |y XVIe siècle 
776 0 |0 151088748  |t Ambitious form  |o Giambologna, Ammanati, and Danti in Florence  |f Michael W. Cole  |c Princeton [N.J.]  |n Princeton University Press  |d 2011  |p 1 vol. (364 p.)  |z 978-0-691-14744-4 
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997 |0 1288924  |1 Livre numérique  |a Ressource numérique  |b INSA  |b ENSA  |c 0/Bibliothèque numérique/  |c 1/Bibliothèque numérique/ScholarVox (ebooks)/