Only connect : art and the spectator in the Italian Renaissance
A leading art historian's plea for a more engaged reading of Italian Renaissance art. Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functi...
Enregistré dans:
| Hovedforfatter: | |
|---|---|
| Format: | Livre numérique |
| Sprog: | Anglais |
| Udgivet: |
Princeton, (N.J.) :
Princeton University press
2023.
Paris : Cyberlibris |
| Fag: | |
| Online adgang: | Accès Université Orléans et IFPM |
| Kommentar: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252728.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Only connect, art and the spectator in the Italian Renaissance, John Shearman, 2019, Princeton, (N.J.), Princeton University press, 1 vol. (XVII-281 p.), The A. W. Mellon lectures in the fine arts, 978-0-691-65541-3 |
| LEADER | 02511nam a22003137a 4500 | ||
|---|---|---|---|
| 001 | 1288921 | ||
| 008 | 250324s2023 xxg ||| |||| 00| 0 eng d | ||
| 009 | PPN283877863 | ||
| 020 | |a 9780691252728 | ||
| 041 | 0 | |a eng | |
| 080 | |a 70 | ||
| 082 | |a 700 | ||
| 100 | 1 | |a Shearman, John K. G., |d 1931-2003. | |
| 245 | 1 | 0 | |a Only connect : |b art and the spectator in the Italian Renaissance |c John Shearman. |
| 260 | |a Princeton, (N.J.) : |b Princeton University press. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2023. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252728.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 504 | |a Notes bibliogr. Index | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a A leading art historian's plea for a more engaged reading of Italian Renaissance art. Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman's concern is mostly with anterior relationships with the viewer - that is, relationships conceived and constructed as part of a work's design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period | ||
| 650 | |a Psychologie de l'art | ||
| 650 | |a Art de la Renaissance |z Italie | ||
| 650 | |a Perception visuelle | ||
| 650 | |a Art |z Italie | ||
| 650 | |a Arts |x Publics | ||
| 776 | 0 | |0 248964585 |t Only connect |o art and the spectator in the Italian Renaissance |f John Shearman |d 2019 |c Princeton, (N.J.) |n Princeton University press |p 1 vol. (XVII-281 p.) |s The A. W. Mellon lectures in the fine arts |z 978-0-691-65541-3 | |
| 856 | 4 | |5 452349901:846796325 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88957205 |z Accès Université Orléans et IFPM | |
| 997 | |0 1288921 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||