Art and illusion : a study in the psychology of pictorial representation

A groundbreaking account of perception and art, from one of the twentieth century's most important art historians. E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important boo...

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Главный автор: Gombrich, Ernst Hans, 1909-2001
Формат: Livre numérique
Язык:Anglais
Опубликовано: Princeton : Princeton University press 2023.
Paris : Cyberlibris
Предметы:
Online-ссылка:Accès Université Orléans et IFPM 
Примечание: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252742.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Art and illusion, a study in the psychology of pictorial representation, E.H. Gombrich, 11eme impression avec une nouvelle préface, Princeton, Princeton University press, 2000, 1 vol. (XLIV-466 p.), The A.W. Mellon Lectures in the Fine Arts, 0-691-07000-8
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100 1 |a Gombrich, Ernst Hans,  |d 1909-2001. 
245 1 0 |a Art and illusion :  |b a study in the psychology of pictorial representation   |c E.H. Gombrich. 
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500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691252742.jpg 
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504 |a Notes bibliogr. p. [399]-441. Index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a A groundbreaking account of perception and art, from one of the twentieth century's most important art historians. E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of information and learning in visual perception. Searching for a rational explanation of the changing styles of art, Gombrich reexamines ideas about the imitation of nature and the function of tradition. In testing his arguments, he ranges over the history of art, from the ancient Greeks, Leonardo, and Rembrandt to the impressionists and the cubists. But the triumphant originality of Art and Illusion is that Gombrich is less concerned with the artists than with the psychological experience of the viewers of their work. Please note: All images in this ebook are presented in black and white and have been reduced in size 
650 |a Peinture  |x Psychologie 
650 |a Psychologie de l'art 
650 |a Psychanalyse et arts 
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