After the end of art : contemporary art and the pale of history
"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Autres auteurs: | |
| Format: | Livre numérique |
| Langue: | Anglais |
| Publié: |
Princeton [etc.] :
Princeton University Press
2021.
Paris : Cyberlibris |
| Sujets: | |
| Accès en ligne: | Accès Université Orléans et IFPM |
| Note: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780691209302.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • After the end of art, contemporary art and the pale of history, Arthur C. Danto, [2nd ed.], 2014, Princeton [etc.], Princeton University Press, 1 vol. (xxvi-239 p.), The A.W, 978-0-691-16389-5 |
Table des matières:
- Foreword to the Princeton classics edition
- Introduction: modern, postmodern, and contemporary
- Three decades after the end of art
- Master narratives and critical principles
- Modernism and the critique of pure art: the historical vision of Clement Greenberg
- From aesthetics to art criticism
- Painting and the pale of history: the passing of the pure
- Pop art and past futures
- Painting, politics, and post-historical art
- The historical museum of monochrome art
- Museums and the thirsting millions
- Modalities of history: Possibility and comedy