Voices of negritude in modernist print : aesthetic subjectivity, diaspora, and the lyric regime
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Livre numérique |
| اللغة: | Anglais |
| منشور في: |
New York :
Columbia university press
2015.
Paris : Cyberlibris |
| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM |
| ملاحظة: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/nola16704_front.jpg Cyberlibris (ScholarVox) corpus sciences politiques et juridiques |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Voices of negritude in modernist print, aesthetic subjectivity, diaspora, and the lyric regime, Carrie Noland, 2015, New York, Columbia university press, 1 vol. (xi-326 p.), Modernist latitudes, 978-0-231-16704-8 |
جدول المحتويات:
- Seeing with the eyes of the work (Adorno): Ceśaire's Cahier and modernist print culture
- The empirical subject in question: a drama of voices in Aime´Ceśaire's et Les Chiens se taisaient
- Poetry and the typosphere in León-Gontran damas
- León-Gontran damas writing rhythm in the interwar period
- Red front / Black Front: Aime´Ceśaire and the Affaire Aragon
- To inhabit a wound: a turn to language in Martinique