Francisco de Goya and the art of critique

Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya's work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya's darke...

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書誌詳細
第一著者: Cascardi, Anthony J., 1953-
フォーマット: Livre numérique
言語:Anglais
出版事項: New York (N.Y.) : Zone books 2023.
Paris : Cyberlibris
主題:
オンライン・アクセス:Accès Université Orléans et IFPM 
注記: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781942130703.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Francisco de Goya and the art of critique, Anthony J. Cascardi, 2022, New York (N.Y.), Zone books, 1 volume (367 pages), 978-1-942130-69-7
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100 1 |a Cascardi, Anthony J.,  |d 1953- 
245 1 0 |a Francisco de Goya and the art of critique   |c Anthony J. Cascardi. 
260 |a New York (N.Y.) :  |b Zone books. 
260 |a Paris :  |b Cyberlibris,  |c 2023. 
500 |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9781942130703.jpg 
500 |a Cyberlibris (ScholarVox) Corpus Arts 
504 |a Notes bibliographiques. Index 
506 |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris 
520 |a Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya's work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya's darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya's work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya's scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya's critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya's commitment to the project of critique, Cascardi provides an alternative to established readings of Goya's work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to-and not just a representation of-the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself 
600 |a Goya, Francisco de,  |d 1746-1828 
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