Aquí and allá : transnational Dominican theater and performance
Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances p...
Zapisane w:
| 1. autor: | |
|---|---|
| Format: | Livre papier |
| Język: | Anglais |
| Wydane: |
Pittsburgh, Pa. :
University of Pittsburgh Press
C2019.
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| Seria: | Latinx and Latin American profiles
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| Hasła przedmiotowe: | |
| Komentarz: |
Fonds Mirabal |
| Autres localisations: | Voir dans le Sudoc |
| Variante du titre: | Transnational Dominican theater and performance |
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| 041 | 0 | |a eng | |
| 082 | |a 792.097293 | ||
| 100 | 1 | |a Stevens, Camilla, |d 1969- | |
| 240 | 1 | 0 | |a Transnational Dominican theater and performance |
| 245 | 1 | 0 | |a Aquí and allá : |b transnational Dominican theater and performance |c Camilla Stevens. |
| 260 | |a Pittsburgh, Pa. : |b University of Pittsburgh Press. | ||
| 260 | |c C2019. | ||
| 300 | |a 1 vol. (ix-269 p.) : |b illustrations ; |c 24 cm. | ||
| 490 | 0 | |a Latinx and Latin American profiles | |
| 500 | |a Fonds Mirabal | ||
| 504 | |a Bibliogr. p. 239-255. Notes bibliogr. Index. | ||
| 505 | 0 | |a Introduction : Dominican migration on center stage -- The drama of Yola migration and the biopolitics of disposability -- Alternate belongings : Dominican male solo performance -- Breaking the silence of heteronormativity in the theater of Marco Antonio Rodríguez -- "Home is where theatre is" : Dominican women's stories of return migration -- Borrowed identities : performing undocumented migration and rights of citizenship -- The aesthetics of minor transnationalism in the theater of Frank Disla -- Coda | |
| 520 | |a Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists' bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies | ||
| 650 | |a Théâtre (genre littéraire) dominicain (République dominicaine) |x Critique et interprétation | ||
| 650 | |a Théâtre et politique | ||
| 650 | |a Théâtre | ||
| 650 | |a Dominicains (République dominicaine) |z À l'étranger | ||
| 997 | |0 1238159 |1 Livre papier |a Ressource papier |c 0/Orléans/ |c 1/Orléans/BU Lettres, Langues et Sciences humaines/ |c 1/Orléans/Fonds Sœurs Mirabal - culture dominicaine/ |z Orléans, BU Lettres, Langues et Sciences humaines, MIR 709.7 STE | ||