139 Spring Street, NYC 1973-1975 : the Onnasch Galerie : 561 days in SoHo

"1973: the Onnasch Galerie is the first European gallery to open its doors in Manhattan's SoHo district. As the former industrial area takes on the role of an international art hub, the short-lived Onnasch Galerie makes its own mark at 139 Spring Street. Established by Berlin-based collect...

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Gorde:
Xehetasun bibliografikoak
Egile nagusia: Tosin, Gesine, 1964-
Formatua: Livre papier
Hizkuntza:Anglais
Espagnol
Argitaratua: Madrid : Museo Nacional Centro de Arte Reina Sofía DL 2014, cop. 2014.
Gaiak:
Oharra: Textes bilingues anglais et espagnol
Autres localisations: Voir dans le Sudoc
Variante du titre:One hundred thirty-nine Spring Street, NYC 1973-1975
The Onnasch Galerie
561 days in SoHo
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041 1 |a eng  |a spa  |h eng  |h spa  |h ger 
082 |a 709 
100 1 |a Tosin, Gesine,  |d 1964- 
240 1 0 |a One hundred thirty-nine Spring Street, NYC 1973-1975 
240 1 0 |a The Onnasch Galerie 
240 1 0 |a 561 days in SoHo 
245 1 0 |a 139 Spring Street, NYC 1973-1975 :  |b the Onnasch Galerie : 561 days in SoHo   |c Gesine Tosin. 
260 |a Madrid :  |b Museo Nacional Centro de Arte Reina Sofía,  |c DL 2014, cop. 2014. 
300 |a 1 vol. (XXXIII-178-CIX p.) :  |b ill., couv. ill. ;  |c 23 cm. 
500 |a Textes bilingues anglais et espagnol 
504 |a Bibliogr. p. 167-171. Notes bibliogr. 
505 0 |a Gesine Tosin -- Gerhard Richter -- George Brecht -- Ray Johnson -- Jack Smith -- Ralston Farina -- Al Hansen -- Robert Watts -- Sturtevant -- Bill Copley -- Edward Kienholz -- Gianni Placentino 
520 |a "1973: the Onnasch Galerie is the first European gallery to open its doors in Manhattan's SoHo district. As the former industrial area takes on the role of an international art hub, the short-lived Onnasch Galerie makes its own mark at 139 Spring Street. Established by Berlin-based collector Reinhard Onnasch as a sister gallery to his main space in Cologne, and directed by Hildegard Lutze, a flamboyant cross-Atlantic figure, the Onnasch Galerie hosts Gerhard Richter's first solo exhibition in the United States, as well as George Brecht's last in the country. It exhibits works by Elaine Sturtevant, Bill Copley, Edward Kienholz and Gianni Piacentino and presents performances by Jack Smith, Robert Watts, and Ralston Farina, among others. Yet the gallery closes after only 19 months. And in the absence of an archive, the space leaves almost no trace of its existence or activities.This volume-the result of intensive research-sheds new light on the all but forgotten Onnasch Galerie, documenting its exhibition and performance program via art reviews, essays, flyers, and previously unpublished photographs, as well as original interviews with Peter Frank, Larry Miller, Marc Siegel, and the gallery's former co-director, Marianne Barcellona. It reveals the Onnasch Galerie as reflective of the SoHo of the early 1970s: an active blend of the established and the experimental, the commercial and the non-commercial, of the exhibition crowd and the performance art scene." (résumé éditeur) 
650 |a Onnasch Galerie  |c New York, N.Y.  |c 1973-1975  |x Histoire 
650 |a Galeries d'art  |z États-Unis  |z New York (N.Y.)  |y 1970-.... 
650 |a Vie intellectuelle  |z New York (N.Y.)  |x SoHo  |y 1970-.... 
997 |0 1227784  |1 Livre papier  |a Ressource papier  |b ENSA  |c 0/Bourges/  |c 1/Bourges/ENSA/  |z Bourges, ENSA, CAT 2014 MADR