Urban Crime Control in Cinema : Fallen Guardians and the Ideology of Repression
This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrative, falls from grace and becomes an enemy of the established...
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Livre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Cham :
Springer International Publishing
2023.
Cham : Springer Nature |
| Saila: | Palgrave Studies in Crime, Media and Culture
|
| Sarrera elektronikoa: | Accès sur la plateforme Springer Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Oharra: |
Springer e-books droit et criminologie (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Urban Crime Control in Cinema, Texte imprimé, 9783031129773 • Urban Crime Control in Cinema, Texte imprimé, 9783031129797 • Urban Crime Control in Cinema, Texte imprimé, 9783031129803 |
| LEADER | 03827nam a22003137a 4500 | ||
|---|---|---|---|
| 001 | 1211793 | ||
| 008 | 230301s2023 xx ||| |||| 00| 0 eng d | ||
| 009 | PPN268207364 | ||
| 020 | |a 9783031129780 | ||
| 041 | 0 | |a eng | |
| 082 | |a 364.254 | ||
| 100 | 1 | |a Rizov, Vladimir. | |
| 245 | 1 | 0 | |a Urban Crime Control in Cinema : |b Fallen Guardians and the Ideology of Repression |c by Vladimir Rizov. |
| 260 | |a Cham : |b Springer International Publishing. | ||
| 260 | |a Cham : |b Springer Nature, |c 2023. | ||
| 490 | 0 | |a Palgrave Studies in Crime, Media and Culture |x 2946-3920 | |
| 500 | |a Springer e-books droit et criminologie (Licence nationale) | ||
| 505 | 0 | |a 1. Introduction -- 2. Cinema -- 3. Cities -- 4. Critique -- 5. RoboCop -- 6. Minority Report -- 7. Batman 8. Blade Runner -- 9. Conclusion. | |
| 506 | |a Accès en ligne pour les établissements français bénéficiaires des licences nationales | ||
| 506 | |a Accès soumis à abonnement pour tout autre établissement | ||
| 506 | |a Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/wp-content/uploads/2024/02/2023-10_Collex_Springer_CCTP.pdf | ||
| 520 | |a This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrative, falls from grace and becomes an enemy of the established social order. The fallen guardian is a figure that allows for the analysis of a particular crime control measure through the perspective of both an enforcer and a target. The very notion of justice is challenged, and questions are posed in relation to the role that films assume in the reproduction of policing as it is. In doing so, the book combines a historical far-reaching perspective with popular culture analysis. At the core remains the value of the cinematic figure of the fallen guardian for contemporary understandings of urban space and urban crime control and how films are clear examples of the ways in which the ideology of repression is reproduced. This book questions the justifications that are often given for social control in cities and understands cinema as a medium for offering critique of such processes and justifications. Explored are the crime control measures of private policing in relation to RoboCop (1987), preventative policing and Minority Report (2002), mass incarceration in The Dark Knight Rises (2012), and extra-judicial killing in Blade Runner 2049 (2017). The book speaks to those interested in crime control in critical criminology, cultural criminology, urban studies, and beyond. Vladimir Rizov is Senior Lecturer in Criminology at the University of Winchester, UK. He researches the history of documentary photography in relation to urban studies, the development of video game photography, and the cinematic representation of crime control. His work has been published in CITY, Theory, Culture & Society, The Journal of Aesthetic Education, and Journal of Urban History. | ||
| 776 | 0 | |t Urban Crime Control in Cinema |b Texte imprimé |z 9783031129773 | |
| 776 | 0 | |t Urban Crime Control in Cinema |b Texte imprimé |z 9783031129797 | |
| 776 | 0 | |t Urban Crime Control in Cinema |b Texte imprimé |z 9783031129803 | |
| 856 | 4 | |u https://doi.org/10.1007/978-3-031-12978-0 |z Accès sur la plateforme Springer | |
| 856 | 4 | |u https://revue-sommaire.data.istex.fr/ark:/67375/8Q1-V647GKB4-X |z Accès sur la plateforme ISTEX | |
| 856 | 4 | |5 452349901:822328119 |u https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.1007/978-3-031-12978-0 |z Accès Université d'Orléans | |
| 997 | |0 1211793 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/Autre ressource numérique/ | ||