Art Crime in Context
This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see art in its usual fo...
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awduron Eraill: | |
| Fformat: | Livre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Cham :
Springer International Publishing
[20..].
Cham : Springer Nature |
| Cyfres: | Studies in Art, Heritage, Law and the Market
6 |
| Mynediad Ar-lein: | Accès sur la plateforme Springer Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Nodyn: |
Springer e-books droit et criminologie (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Art crime in context, Naomi Oosterman, Donna Yates, editors, 2023, Cham (Switzerland), Springer, 1 volume (VI-228 pages), Studies in art, heritage, law and the market, 978-3-031-14083-9 • Art Crime in Context, Texte imprimé, 9783031140853 • Art Crime in Context, Texte imprimé, 9783031140860 |
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| 020 | |a 9783031140846 | ||
| 041 | 0 | |a eng | |
| 082 | |a 340.9 | ||
| 100 | 1 | |a Oosterman, Naomi. | |
| 245 | 1 | 0 | |a Art Crime in Context |c edited by Naomi Oosterman ; Donna Yates. |
| 260 | |a Cham : |b Springer International Publishing. | ||
| 260 | |a Cham : |b Springer Nature, |c [20..]. | ||
| 490 | 0 | |a Studies in Art, Heritage, Law and the Market |v 6 |x 2524-7433 | |
| 500 | |a Springer e-books droit et criminologie (Licence nationale) | ||
| 505 | 0 | |a Introduction -- Assay-ssination: Reflections on the Cost of Jewellery and Gem Crime -- Design crime in context: Mass-manufactured design, design-as-art, and Chandigarh s modernist furniture -- The Evolution of the Belgian Art and Antiques Unit -- Fossil trafficking, fraud, and fakery -- Illicit Excavations and Trade in Antiquities -- New Security Challenges at Museums and Historic Sites: The Case of Spain -- Revisiting the Looting of Site Q through Lidar: A Case Study of Illicit Digging in La Corona, Guatemala -- Securing Borders and Restraining the Illegal Movement of Cultural Property to, from, and within, the Island of Ireland -- Stealing Heritage in Canada -- The Theft of Your Soulmate: Motivations for the Theft of Rare Violins -- UNESCO Emergency Response First-Aid Heritage Interventions in Syria during Armed Conflict -- Yellow Journalism: Neutralisation techniques, media validation, and the Rothko vandal. | |
| 506 | |a Accès en ligne pour les établissements français bénéficiaires des licences nationales | ||
| 506 | |a Accès soumis à abonnement pour tout autre établissement | ||
| 506 | |a Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/wp-content/uploads/2024/02/2023-10_Collex_Springer_CCTP.pdf | ||
| 520 | |a This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see art in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as art and heritage crimes and displays that both art, and criminality related to art, is creative and unpredictable. | ||
| 700 | 1 | |a Yates, Donna. |4 pbd | |
| 776 | 0 | |0 273012606 |t Art crime in context |f Naomi Oosterman, Donna Yates, editors |d 2023 |c Cham (Switzerland) |n Springer |p 1 volume (VI-228 pages) |s Studies in art, heritage, law and the market |z 978-3-031-14083-9 | |
| 776 | 0 | |t Art Crime in Context |b Texte imprimé |z 9783031140853 | |
| 776 | 0 | |t Art Crime in Context |b Texte imprimé |z 9783031140860 | |
| 856 | 4 | |u https://doi.org/10.1007/978-3-031-14084-6 |z Accès sur la plateforme Springer | |
| 856 | 4 | |u https://revue-sommaire.data.istex.fr/ark:/67375/8Q1-PDM261L3-G |z Accès sur la plateforme ISTEX | |
| 856 | 4 | |5 452349901:82232931X |u https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.1007/978-3-031-14084-6 |z Accès Université d'Orléans | |
| 997 | |0 1211706 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/Autre ressource numérique/ | ||