Acoustemologies in Contact : Sounding Subjects and Modes of Listening in Early Modernity
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing ques...
Salvato in:
| Autori principali: | , , , , , , , , , |
|---|---|
| Natura: | Livre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Cambridge :
Open Book Publishers
2021.
Marseille : OpenEdition |
| Accesso online: | Ressource accessible en libre accès Accès Université d'Orléans et IFPM ; Accès complet au document dans sa version HTML. Pas d'accès aux autres formats (PDF, Epub). |
| Nota: |
Description d'après la consultation, 2021-10-01 Titre provenant de la page de titre du document électronique La pagination de l'édition imprimée correspondante est de : x-337 p. Autres contributeurs : Suzanne G. Cusick, Glenda Goodman, Zhuqing (Lester) S. Hu, Danielle Skeehan, Nina Treadwell, Jane Tylus, Emily Wilbourne (auteurs) OpenEdition Books (freemium) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Acoustemologies in Contact, Cambridge, Open Book Publishers |
| LEADER | 04130nam a22004097a 4500 | ||
|---|---|---|---|
| 001 | 1208350 | ||
| 008 | 210705r20212021xxe ||| |||| 00| 0 eng d | ||
| 009 | PPN256384258 | ||
| 020 | |a 9791036570339 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Wilbourne, Emily, |d 19..-...., |c musicologue. | |
| 245 | 1 | 0 | |a Acoustemologies in Contact : |b Sounding Subjects and Modes of Listening in Early Modernity |c edited by Emily Wilbourne and Suzanne G. Cusick ; Patricia Akhimie, Olivia Bloechl, Ireri E. Chávez Bárcenas... [et al.]. |
| 256 | |a Données textuelles | ||
| 260 | |a Cambridge : |b Open Book Publishers. | ||
| 260 | |a Marseille : |b OpenEdition, |c 2021. | ||
| 500 | |a Description d'après la consultation, 2021-10-01 | ||
| 500 | |a Titre provenant de la page de titre du document électronique | ||
| 500 | |a La pagination de l'édition imprimée correspondante est de : x-337 p. | ||
| 500 | |a Autres contributeurs : Suzanne G. Cusick, Glenda Goodman, Zhuqing (Lester) S. Hu, Danielle Skeehan, Nina Treadwell, Jane Tylus, Emily Wilbourne (auteurs) | ||
| 500 | |a OpenEdition Books (freemium) | ||
| 504 | |a Bibliogr. Index | ||
| 506 | |a L'accès complet au document est ouvert à tous dans sa version HTML. L'accès aux autres formats (PDF, Epub) est réservé aux usagers des établissements qui en ont fait l'acquisition. | ||
| 520 | |a In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of the canon in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com | ||
| 538 | |a Navigateur Web | ||
| 700 | 1 | |a Cusick, Suzanne G., |d 19..- |4 pbd |4 aut | |
| 700 | 1 | |a Akhimie, Patricia, |d 19..- |4 aut | |
| 700 | 1 | |a Bloechl, Olivia Ashley, |d 1975- |4 aut | |
| 700 | 1 | |a Chávez Bárcenas, Ireri E. |4 aut | |
| 700 | 1 | |a Goodman, Glenda, |d 19..-...., |c historienne de la musique. |4 aut | |
| 700 | 1 | |a Hu, Zhuqing (Lester) S. |4 aut | |
| 700 | 1 | |a Skeehan, Danielle C., |d 1980- |4 aut | |
| 700 | 1 | |a Treadwell, Nina. |4 aut | |
| 700 | 1 | |a Tylus, Jane, |d 1956- |4 aut | |
| 776 | 0 | |t Acoustemologies in Contact |c Cambridge |n Open Book Publishers | |
| 856 | 4 | |q HTML |u http://books.openedition.org/obp/19143 |z Ressource accessible en libre accès | |
| 856 | 4 | |5 452349901:819997544 |u https://ezproxy.univ-orleans.fr/login?url=http://books.openedition.org/obp/19143 |z Accès Université d'Orléans et IFPM ; Accès complet au document dans sa version HTML. Pas d'accès aux autres formats (PDF, Epub). | |
| 997 | |0 1208350 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/Autre ressource numérique/ | ||