Choreography as Embodied Critical Inquiry : Embodied Cognition and Creative Movement
In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory. Welch believes that dance can be used to ask questions, and this book offe...
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Livre numérique |
| اللغة: | Anglais |
| منشور في: |
Cham :
Springer International Publishing
[20..].
Cham : Springer Nature |
| الوصول للمادة أونلاين: | Accès sur la plateforme Springer Accès sur la plateforme ISTEX Accès Université d'Orléans |
| ملاحظة: |
Springer e-books en philosophie (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Choreography as Embodied Critical Inquiry, Texte imprimé, 9783030934941 • Choreography as Embodied Critical Inquiry, Texte imprimé, 9783030934965 • Choreography as Embodied Critical Inquiry, Texte imprimé, 9783030934972 |
جدول المحتويات:
- Chapter 1: Dancing: Phenomenology and Embodied Cognition
- Chapter 2: Critical Inquiry: Creative Movement and Embodied
- Chapter 3: Movement-Knowings: Affect and Embodied Intuition
- Chapter 4: Somatics: Improvisation and Feeling-Practices
- Chapter 5: Embodied Critical Inquiry: A Theory
- Chapter 6: Enactivism and Embodied Critical Inquiry
- Chapter 7: Embodied Critical Inquiry: A Method
- Chapter 8: The Movers: Results.