Suzuki Seijun and postwar Japanese cinema
"In 1968, Seijun Suzuki, a low-budget genre Japanese filmmaker and director of such films as Branded to Kill, Tokyo Drifter, and Gate of Flesh, was suddenly fired from Nikkatsu Studios. His dismissal, soon to be known as the "Seijun Suzuki Incident," became a cause for student protest...
Enregistré dans:
| Hovedforfatter: | |
|---|---|
| Format: | Livre numérique |
| Sprog: | Anglais |
| Udgivet: |
New York :
Columbia University Press
2022.
Paris : Cyberlibris |
| Fag: | |
| Online adgang: | Accès Université d'Orléans et IFPM |
| Kommentar: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9780231555500.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Suzuki Seijun and postwar Japanese cinema, William Carroll, 2022, New York, Columbia University Press, 1 volume (xii-286 pages), 978-0-231-20436-1 |
Indholdsfortegnelse:
- P. 1
- Introduction. Why Suzuki Seijun?
- P. 13
- 1. 1968 & the Suzuki Seijun incident
- P. 38
- 2. Suzuki Seijun and the impossibility of cinema
- P. 62
- 3. Postwar Japanese genre filmmaking and the Nikkatsu idiom
- P. 91
- 4. The emergence of the Seijun-esque
- P. 125
- 5. The authorial voice of Suzuki Seijun