The subversive stitch : embroidery and the making of the feminine

La 4e de couverture indique : "Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery brought stitchery out from the private world of female domesticity into the public eye, creating a major breakthrough in art history and criticism, and fostering the em...

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Détails bibliographiques
Auteur principal: Parker, Rozsika, 1945-2010
Format: Livre papier
Langue:Anglais
Publié: London ; New York (NY) : Bloomsbury visual arts 2019.
Sujets:
Note: Publié en 1984 par The Women Press et en 2010 par I.B. Tauris & Co
Autres tirages : 2019, 2020, 2021, 2022, 2023, 2024, 2025
Autres localisations: Voir dans le Sudoc
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020 |a 1350132292 
024 |a 9781350132290 
041 0 |a eng 
100 1 |a Parker, Rozsika,  |d 1945-2010. 
245 1 0 |a The subversive stitch :  |b embroidery and the making of the feminine   |c Rozsika Parker. 
260 |a London ;  |a New York (NY) :  |b Bloomsbury visual arts,  |c 2019. 
300 |a 1 vol. (XXII-247 p.) :  |b ill. ;  |c 24 cm. 
500 |a Publié en 1984 par The Women Press et en 2010 par I.B. Tauris & Co 
500 |a Autres tirages : 2019, 2020, 2021, 2022, 2023, 2024, 2025 
504 |a Bibliogr. p. 233-239. Index 
505 0 |a The creation of femininity -- Eternalising the feminine -- Fertility, chastity and power -- The domestication of embroidery -- The inculcation of femininity -- From milkmaids to mothers -- Femininity as feeling -- A naturally revolutionary art ? 
520 |a La 4e de couverture indique : "Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery brought stitchery out from the private world of female domesticity into the public eye, creating a major breakthrough in art history and criticism, and fostering the emergence of today's dynamic and expanding crafts movement. The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women." 
650 |a Broderie  |x Histoire 
650 |a Rôle selon le sexe  |x Art 
650 |a Féminité 
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