Baroque Naturalism in Benjamin and Deleuze : The Art of Least Distances
This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin's 1928 monograph on seventeenth century d...
Enregistré dans:
| Hovedforfatter: | |
|---|---|
| Format: | Livre numérique |
| Sprog: | Anglais |
| Udgivet: |
Cham :
Springer International Publishing
[20..].
Cham : Springer Nature |
| Online adgang: | Accès sur la plateforme Springer Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Kommentar: |
Springer e-books en philosophie (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Baroque naturalism in Benjamin and Deleuze, the art of least distances, Tim Flanagan, 2021, Cham, Palgrave Macmillan, 1 volume (XXIV-288 pages), 978-3-030-66397-1 • Baroque Naturalism in Benjamin and Deleuze, Texte imprimé, 9783030663995 • Baroque Naturalism in Benjamin and Deleuze, Texte imprimé, 9783030664008 |
Indholdsfortegnelse:
- 1. Implicit Liber (a Baroque Theme)
- 2. Theses on the Baroque. - 3. The Subject of the Baroque ("surpassing the logical relation between a concept and its object")
- 4. Baroque Predication: a continuous fresco, an inner concept, the propositional concept itself. - 5. "The Sublime Words of the Third Ennead". - 6. Baroque Naturalism (A Teleological Conversion of Philosophy).